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The awards world can be ridiculous, but I'm not one to bash it. I love awards! When I've been nominated for Emmys and when I won my DGA Award, I couldn't have been happier. I always liked getting a gold star in class.

Paul Feig

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Paul Feig
Age: 62
Born: 1962
Born: September 17
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Television Producer
Mount Clemens
Michigan
Paul Samuel Feig
Always
Liked
Love
Ridiculous
World
Star
Emmys
Gold
Bash
Couldn
Nominated
Stars
Award
Class
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Getting
Awards

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I really feed off of The Walking Dead.
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Every director should take an acting class.
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In my years of acting, the one thing I was never able to do convincingly was to laugh on camera. Fake-laugh.
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I always felt, and still feel, one of my best strengths as a director is having been an actor for a long time. Nobody knows actors and their insecurities and strengths and everything more than somebody who's done it before.
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I was brought up in a very religious household and did a lot of praying throughout a big part of my life and always thought of God as being not only a powerful father figure and the ruler of all time and dimension but also as a friend with whom I could chat and ask questions to and get advice from.
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I love the pictures of Old Hollywood, seeing the directors dressed in suits and ties. Even the grips would be wearing ties. But the biggest thing is when I was a kid, I couldn't wait to be an adult, and I think what happens with most guys is that no one wants to be an adult anymore. So they're dressing like kids.
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Women comedy is different than men comedy. Guy comedy is very aggressive, it's about insulting each other, name-calling, and kind of busting each other's chops, and that's not what women's comedy is.
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I was a standup comedian, which is kind of like writing and directing yourself.
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The greatest way for people to experience a comedy is to go in not knowing anything about it. But because of marketing, it's impossible. Marketing meaning that in order to get people to come you can't just go, 'Hey, there's a great movie - we're not going to show you anything from it but trust us!
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I'm from Mt. Clemens, Michigan. It's right outside Detroit. The suburbs. I was always very heavily involved in theater back then. I was always in drama club or forensics. Anything that you could do that had some performing, I was doing it.
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Katie Dippold, who I wrote the script with, she's very into ghosts and all that. So I go, Hey, why don't you talk to Katie?
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There's nothing worse than the sequel that's a letdown from the first movie.
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What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
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My style of comedy is very real and bittersweet, and sort of always on the verge of kind of being tragic.
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I don't like weddings. I never have. I find moments in them I really like, but I always look at them like, Oh my God, we have to go to a wedding. My problem with weddings is that they are just too long.
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Who knew there were so many ghosts to be busted in the world?
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Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
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I'm just an enormous British comedy fan.
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If some magic thing happens, and everybody goes completely nuts, and does something we never thought of, the cameras catch everything. That comes from having camera people who are almost like actors and writers themselves.
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A lot of comedies fall apart because they just go from joke to joke, and the characters are all sort of being crazy off on their own.
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