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Getting away from a white or light colored tuxedo shirt is always a little dangerous. Certain staples shouldn't be mixed with. Light pink or blue is not bad, but again, you're just breaking from a classic.

Paul Feig

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Paul Feig
Age: 62
Born: 1962
Born: September 17
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Television Producer
Mount Clemens
Michigan
Paul Samuel Feig
Away
Breaking
Light
Shirts
Tuxedo
Certain
Classic
Tuxedos
Littles
Shouldn
Staples
Little
Blue
Colored
Always
Dangerous
Pink
Getting
Mixed
White
Shirt

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Hollywood is a business and movie studios are only going to do what's going to make money. It's not an altruistic thing. They are blatant grabs for money. Responsible studios want to make quality pictures, but at the same time nobody is going to make quality pictures they know aren't going to make any money.
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At the end of the day, I just want a movie that's great, that people are going to love and laugh at and be affected by, and also have an emotional journey.
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I mean Ally McBeal was sort of the closest thing I can think of to kind of being a comedy-drama but that had its own kind of style that meant it got kind of big sometimes. But it was a great show.
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What you want is the thing that critics love and audiences love, but that's the hardest thing to do.
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What's so great about working with really funny women is that vanity comes second. Whatever makes it real and funny, they're going to go for, and it's just great.
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Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
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I'm just an enormous British comedy fan.
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The reason most comedies don't win awards is that the filmmakers put the comedy first. This means you have to create a story around the jokes.
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Where there seems to be a difference between guys being nuts and women being nuts is that guys are much more open in calling each other on stuff lots of insults and dirty names. Whereas women will talk frankly and honesty, but there also seems to be more passive aggressiveness.
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I always hated high-school shows and high-school movies, because they were always about the cool kids. It was always about dating and sex, and all the popular kids, and the good-looking kids. And the nerds were super-nerdy cartoons, with tape on their glasses. I never saw 'my people' portrayed accurately.
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Women comedy is different than men comedy. Guy comedy is very aggressive, it's about insulting each other, name-calling, and kind of busting each other's chops, and that's not what women's comedy is.
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When guys see a movie starring women, they go, That must be filled with these characters I see in these movies who are such a drag. And that's just bad for everybody.
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I was a standup comedian, which is kind of like writing and directing yourself.
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Ever since I was a little kid, I've felt comfortable in a suit. It all started when my mom bought me a three-piece Pierre Cardin suit. I wore that thing everywhere. Eventually I realized I was going to be the kid who got beat up in school, but I kept wearing it.
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In my years of acting, the one thing I was never able to do convincingly was to laugh on camera. Fake-laugh.
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For years, it's driven me crazy that women don't have better roles, especially in comedies. I know so many funny women but I always felt... misogynist streak is too strong a term - but a dismissiveness.
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What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything. You never ever want someone to go, 'Oh I shouldn't have done that.' There isn't anything you shouldn't try. If it's terrible, who cares?
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At the end of the day if you want to entertain people, you've got to take your ego out of the equation.
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I always feel in improv that nothing is ever as good once it's repeated.
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I always felt, and still feel, one of my best strengths as a director is having been an actor for a long time. Nobody knows actors and their insecurities and strengths and everything more than somebody who's done it before.
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