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Getting away from a white or light colored tuxedo shirt is always a little dangerous. Certain staples shouldn't be mixed with. Light pink or blue is not bad, but again, you're just breaking from a classic.

Paul Feig

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Paul Feig
Age: 62
Born: 1962
Born: September 17
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Television Producer
Mount Clemens
Michigan
Paul Samuel Feig
Away
Breaking
Light
Shirts
Tuxedo
Certain
Classic
Tuxedos
Littles
Shouldn
Staples
Little
Blue
Colored
Always
Dangerous
Pink
Getting
Mixed
White
Shirt

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If you made a movie that no man in the world went near, but every woman in the world went to, you'd have the highest grossing movie of all time. You'd make trillions of dollars. But I don't want to make movies that are just for the ladies. I don't want to ghettoize any audience that way.
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I mean Ally McBeal was sort of the closest thing I can think of to kind of being a comedy-drama but that had its own kind of style that meant it got kind of big sometimes. But it was a great show.
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What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything. You never ever want someone to go, 'Oh I shouldn't have done that.' There isn't anything you shouldn't try. If it's terrible, who cares?
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That's the thing with women's movies - there's so much about kind of catfighting. And my experience is women aren't - look, we all get in fights with people, but it's not that face-to-face aggression.
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Any ensemble - they didn't call it the all-male Expendables, for example. But it's Hollywood's fault that people say that, because there have been so few movies that have allowed women to have these leading roles, so that's Hollywood's fault.
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For years, it's driven me crazy that women don't have better roles, especially in comedies. I know so many funny women but I always felt... misogynist streak is too strong a term - but a dismissiveness.
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I was a standup comedian, which is kind of like writing and directing yourself.
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Throughout my teens, I just wanted to go somewhere I could wear a Donald Duck pin and no one would care.
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Period costume films are fun to discover, but they're not relatable. It's more, 'Wow, that's cool - did it really look like that back then?' Whereas with a comedy, you're like, 'Yeah, that's me, that's my friends.' No matter what, I want people to relate.
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If some magic thing happens, and everybody goes completely nuts, and does something we never thought of, the cameras catch everything. That comes from having camera people who are almost like actors and writers themselves.
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I always felt, and still feel, one of my best strengths as a director is having been an actor for a long time. Nobody knows actors and their insecurities and strengths and everything more than somebody who's done it before.
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As tempting as it seems to wear tennis shoes with your tux, don't do it. I think it looks ridiculous. If you're 14 years old, maybe give it a shot. In general, don't portray anything that says 'I'm too cool and I don't care.
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Ever since I was a little kid, I've felt comfortable in a suit. It all started when my mom bought me a three-piece Pierre Cardin suit. I wore that thing everywhere. Eventually I realized I was going to be the kid who got beat up in school, but I kept wearing it.
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Katie Dippold, who I wrote the script with, she's very into ghosts and all that. So I go, Hey, why don't you talk to Katie?
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I always hated high-school shows and high-school movies, because they were always about the cool kids. It was always about dating and sex, and all the popular kids, and the good-looking kids. And the nerds were super-nerdy cartoons, with tape on their glasses. I never saw 'my people' portrayed accurately.
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The good thing is that I really think that American television is in kind of a second golden age. Even though there's a lot of reality and all those contest shows, which aren't my kind of shows, the scripted stuff that's going on is so good right now because of basic cable. Everyone has stepped it up and realised that people like quality.
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I just love Kate. [Bieber], to me, is one of the funniest impressions because it's so all encompassing. It's like a total body and soul impression. But that's Kate. Every character she does is that way.
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Little Britain… ever since it first came on… I come here a lot, we have a lot of friends here, my wife used to work with a lot of Brits, so we were always keyed into the hot shows when they first came out. So, I fell in love with Little Britain.
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Every director should take an acting class.
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What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
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