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The reason most comedies don't win awards is that the filmmakers put the comedy first. This means you have to create a story around the jokes.

Paul Feig

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Paul Feig
Age: 62
Born: 1962
Born: September 17
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Television Producer
Mount Clemens
Michigan
Paul Samuel Feig
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The good thing is that I really think that American television is in kind of a second golden age. Even though there's a lot of reality and all those contest shows, which aren't my kind of shows, the scripted stuff that's going on is so good right now because of basic cable. Everyone has stepped it up and realised that people like quality.
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I'm just an enormous British comedy fan.
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At the end of the day if you want to entertain people, you've got to take your ego out of the equation.
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A lot of comedies fall apart because they just go from joke to joke, and the characters are all sort of being crazy off on their own.
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I've never been to a class reunion or anything because I'm always afraid of that one - there's going to be some 'Carrie'-like incident.
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Ever since I was a little kid, I've felt comfortable in a suit. It all started when my mom bought me a three-piece Pierre Cardin suit. I wore that thing everywhere. Eventually I realized I was going to be the kid who got beat up in school, but I kept wearing it.
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At the end of the day, I just want a movie that's great, that people are going to love and laugh at and be affected by, and also have an emotional journey.
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For years, it's driven me crazy that women don't have better roles, especially in comedies. I know so many funny women but I always felt... misogynist streak is too strong a term - but a dismissiveness.
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You can never have a thousand percent batting average on jokes - it's just never going to happen.
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Every director should take an acting class.
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If some magic thing happens, and everybody goes completely nuts, and does something we never thought of, the cameras catch everything. That comes from having camera people who are almost like actors and writers themselves.
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Little Britain… ever since it first came on… I come here a lot, we have a lot of friends here, my wife used to work with a lot of Brits, so we were always keyed into the hot shows when they first came out. So, I fell in love with Little Britain.
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To me, there's nothing funnier than funny people in peril, because it's just a great springboard for people to be at a heightened emotionality and things get funnier.
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The greatest way for people to experience a comedy is to go in not knowing anything about it. But because of marketing, it's impossible. Marketing meaning that in order to get people to come you can't just go, 'Hey, there's a great movie - we're not going to show you anything from it but trust us!
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I always felt, and still feel, one of my best strengths as a director is having been an actor for a long time. Nobody knows actors and their insecurities and strengths and everything more than somebody who's done it before.
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What's so great about working with really funny women is that vanity comes second. Whatever makes it real and funny, they're going to go for, and it's just great.
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You need to have one element about your outfit that is imperfect, that says you live in it and you're not letting it control you. I think men and women both need a softness about them with formal wear.
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Man up and add a tux to your wardrobe. Just find one you like and get it well-tailored to your own measurements.
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It's healthy to have older friends. You go, 'Look, I'm younger than them!' That's always the nice thing, if you can be the youngest one in the room at times. Like if you're always the oldest one in the room, you'll start to feel like the oldest person in the world. So get older friends, because they're cool. Get cool older friends.
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Getting away from a white or light colored tuxedo shirt is always a little dangerous. Certain staples shouldn't be mixed with. Light pink or blue is not bad, but again, you're just breaking from a classic.
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