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I advance all of my canvas at one time.

Paul Cezanne

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Paul Cezanne
Age: 67 †
Born: 1839
Born: January 19
Died: 1906
Died: October 23
Artist
Draftsperson
Drawer
Engraver
Graphic Artist
Lithographer
Painter
Aix
Cézanne
Cezanne
Pol Sezan
Polʹ Sezann
Paul Cezanne
P. Sezanas
Sai-shang
cezanne paul
p. cezanne
Methodology
Canvas
Advance
Time

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Genius is the ability to renew one's emotions in daily experience.
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Knowledge of the means to express our emotion is essential- and is acquired only after a very long experience.
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The strong experience of nature... is the necessary basis for all conception of art on which rests the grandeur and beauty of all future work.
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To achieve progress nature alone counts, and the eye is trained through contact with her. It becomes concentric by looking and working.
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I've come to the conclusion that it's not really possible to help others.
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The approbation of others is a stimulus of which one must sometimes be wary. The feeling of one's own strength makes one modest.
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Everything in nature is formed upon the sphere, the cone and the cylinder. One must learn to paint these simple figures and then one can do all that he may wish.
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I owe you the truth in painting, and I will tell it to you.
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I cannot attain the intensity that is unfolded before my senses. I have not the magnificent richness of colouring that animates nature.
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Talks on art are almost useless. The work which goes to bring progress in one's own subject is sufficient compensation for the incomprehension of imbeciles.
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It's so fine and yet so terrible to stand in front of a blank canvas.
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Everything vanishes, falls apart, doesn't it? Nature is always the same but nothing in her that appears to us lasts. Our art must render the thrill of her permanence, along with her elements, the appearance of all her changes. It must give us a taste of her Eternity.
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Design and color are not distinct and separate. As one paints, one draws. The more the colors harmonize, the more the design takes form. When color is at it's richest, form is at its fullest.
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Drawing and color are not separate at all in so far as you paint, you draw. The more color harmonizes, the more exact the drawing becomes. When the color achieves richness, the form attains its fullness also
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I'll always be grateful to the public of intelligent amateurs.
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I paint as if I were Rothschild.
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One can do good things without being very much of a harmonist or a colourist. It is sufficient to have a sense of art - and this sense is doubtless the horror of the bourgeois.
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To paint is not to copy the object slavishly, it is to grasp a harmony among many relationships.
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The contour eludes me.
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Here, on the river's verge, I could be busy for months without changing my place, simply leaning a little more to right or left.
Paul Cezanne