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There are two kinds of typical days. There's the typical day when I'm writing a novel, and there's the typical day when I'm not.

Paul Auster

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Paul Auster
Age: 77
Born: 1947
Born: February 3
Author
Autobiographer
Essayist
Film Director
Linguist
Novelist
Poet
Screenwriter
Translator
University Teacher
Writer
Newark
New Jersey
Paul Benjamin
Paul Queen
Paul Benjamin Auster
Kind
Typical
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Novel
Days
Two
Writing

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You have to protect it too, you can't let just any stupid person take it and do something demoralizing with it. At the same time, I don't believe in being so rigid about controlling what happens either.
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It became a habit of mine never to leave the house without a pencil in my pocket.
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For some reason, all my characters come to me with their names attached to them. I never have to search for the names.
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I think all writers are a bit crazy Damaged souls, incapable of doing anything else.
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Memoirs have dominated the literary scene now for ten or 20 or even 30 years: most of them seem to use the conventions of fiction and it's astonishing how in so many of these books people seem to be able to remember conversations that took place when they were five years old and give three pages of coherent dialogue, which is utterly impossible.
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I project myself so deeply into the characters in novels that I'm not thinking about my own life.
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Eighteen is a terrible age, and while I walked around with the conviction that I was somehow more grown-up than my classmates, the truth was that I had merely found a different way of being young.
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Books demand more. You have to be a more active participant.
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Cities - I'm attracted to them, and I have a special attachment to New York...it's my place.
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Even in New York, there are a lot of very attractive girls pedaling around. That just happens to be one of the nice sights in our city, seeing a young woman on a bike.
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The moon people do not eat by swallowing food but by smelling it. Their money is poetry - actual poems, written out on pieces of paper whose value is determined by the worth of the poem itself.
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As long as you are dreaming, there is always a way out
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Stories happen only to those who are able to tell them, someone once said. In the same way, perhaps, experiences present themselves only to those who are able to have them.
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Holes in the memory. You grab on to some things, others have completely disappeared.
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Stories without endings can do nothing but go on forever, and to be caught in one means that you must die before your part in it is played out.
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Some people are great, and they approach each work with honesty, and that's wonderful. But when people have built up a sort of resentment or animosity for reasons that are hard to put your finger on, they read in bad faith.
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I use things, I steal things from my life when I want to, when I need to, or when it seems appropriate. But most of the stuff in my novels is entirely invented, ninety-five percent. And even when I do borrow something, it becomes fictionalized.
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How can you think about the world without factoring in the unforseen, the fluke event?
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The book that convinced me I wanted to be a writer was 'Crime and Punishment'. I put the thing down after reading it in a fever over two or three days... I said, 'If this is what a book can be, then that is what I want to do.'
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We are all aliens to ourselves, and if we have any sense of who we are, it is only because we live inside the eyes of others.
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