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There are two kinds of typical days. There's the typical day when I'm writing a novel, and there's the typical day when I'm not.

Paul Auster

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Paul Auster
Age: 77
Born: 1947
Born: February 3
Author
Autobiographer
Essayist
Film Director
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Novelist
Poet
Screenwriter
Translator
University Teacher
Writer
Newark
New Jersey
Paul Benjamin
Paul Queen
Paul Benjamin Auster
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The biggest book for me, when I was fifteen, was Crime and Punishment, which I read in a kind of fever. When I put it down, I thought, if this is what novels are then I want to be a novelist.
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For one reason or another, I became a passionate reader when I was very little. As soon as I could read, I wanted to read.
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I don't read reviews any more, but I'm told by my publisher who gives me an account of what people have been writing and it's been a very split kind of response.
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Becoming a writer is not a 'career decision' like becoming a doctor or a policeman. You don't choose it so much as get chosen, and once you accept the fact that you're not fit for anything else, you have to be prepared to walk a long, hard road for the rest of your days.
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I believe that every artist, in one way or another, is a wounded person. It's not natural to make art.
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It's like a mathematical law, Grace.
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Writing is a solitary business. It takes over your life. In some sense, a writer has no life of his own. Even when he’s there, he’s not really there.
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I've learned not to look at reviews. Early on, I did. I was always curious.
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I never feel I'm standing on solid ground, and I do write with a certain kind of trembling fear.
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This was the first time he had seriously confronted what he was doing, and the force of that awareness came very abruptly - with a surging of his pulse and a frantic pounding in his head. He was about to gamble his life on that table, and the insanity of that risk filled him with a kind of awe.
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It would be a terrible world if everyone was an artist. Nothing would get done!
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Every generation always thinks it was better before, and I think people have been saying this for probably thousands of years.
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Each man, therefore, is the entire world, bearing within his genes a memory of all mankind. Or as Leibniz put it: ‘Every living substance is a perpetual living mirror of the universe’
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We exist for ourselves, perhaps, and at times we even have a glimmer of who we are, but in the end we can never be sure, and as our lives go on, we become more and more opaque to ourselves, more and more aware of our own incoherence. No one can cross the boundary into another – for the simple reason that no one can gain access to himself.
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I feel I'm discovering something new, a different rhythm, and I guess these rhythms have a lot to do with walking, too, but it's a longer trajectory now. I'm traveling greater distances with each sentence. But I don't write about walking that much anymore.
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Stories surge up out of nowhere, and if they feel compelling, you follow them. You let them unfold inside you and see where they are going to lead.
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We have missed him in the sunshine, in the storm, in the twilight, ever since.
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Translators are the shadow heroes of literature, the often forgotten instruments that make it possible for different cultures to talk to one another, who have enabled us to understand that we all, from every part of the world, live in one world.
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There are often references to childhood, but they're rarely the focus of the [my] novels.
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The things we remember are often things that have great emotional importance, and so they have a lasting effect.
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