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In Invisible there's a lot about childhood, the death of the brother and then the relationship between the brother and sister.
Paul Auster
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Paul Auster
Age: 77
Born: 1947
Born: February 3
Author
Autobiographer
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Film Director
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Newark
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Paul Benjamin
Paul Queen
Paul Benjamin Auster
Childhood
Brother
Relationship
Death
Sister
Invisible
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Dismantling the architecture of my discontent
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I don't think that you can be prescriptive about anything, I mean, life is too complicated. Maybe there are novels where the author has not in the least thought about it in terms of film, which can be turned into good films.
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I believe that the whole idea of the consumer society is tottering. We've kept ourselves going by producing more and more goods, most of which people don't need. I'm anti-consumerism I own four pairs of black Levis and that's it.
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I had jumped off the edge, and then, at the very last moment, something reached out and caught me in midair. That something is what I define as love. It is the one thing that can stop a man from falling, powerful enough to negate the laws of gravity.
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You're too good for this world, and because of that the world will eventually crush you.
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I think that sense of unreality inspired me to write the story within the book that [August] Brill tells himself, one of the stories he tells himself.
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It became a habit of mine never to leave the house without a pencil in my pocket.
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We construct a narrative for ourselves, and that's the thread that we follow from one day to the next. People who disintegrate as personalities are the ones who lose that thread.
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I use things, I steal things from my life when I want to, when I need to, or when it seems appropriate. But most of the stuff in my novels is entirely invented, ninety-five percent. And even when I do borrow something, it becomes fictionalized.
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As Siri says, who is deeply involved with neuroscience, emotion consolidates memory, and I think that's true.
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Each man, therefore, is the entire world, bearing within his genes a memory of all mankind. Or as Leibniz put it: ‘Every living substance is a perpetual living mirror of the universe’
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I can never say 'why' about anything I do. I suppose I can say 'how' and 'when' and 'what.' But 'why' is impenetrable to me.
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There's love, and certainly children you care about more than yourself. But nevertheless, we're alone in our heads.
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I have difficulty orienting myself in space, and I'm probably one of the few people who gets lost in Manhattan.
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Medical care for the entire country seems to me a basic right. If every other country in the West can do it, why can't we?
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Fiction creating reality.
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I write the paragraph, then I'm crossing out, changing words, trying to improve it. When it seems more or less OK, then I type it up because sometimes it's almost illegible, and if I wait, I might not be able to read it the next day.
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Something happens, Blue thinks, and then it goes on happening forever. It can never be changed, can never be otherwise.
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We exist for ourselves, perhaps, and at times we even have a glimmer of who we are, but in the end we can never be sure, and as our lives go on, we become more and more opaque to ourselves, more and more aware of our own incoherence. No one can cross the boundary into another – for the simple reason that no one can gain access to himself.
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I never feel I'm standing on solid ground, and I do write with a certain kind of trembling fear.
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