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In Invisible there's a lot about childhood, the death of the brother and then the relationship between the brother and sister.

Paul Auster

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Paul Auster
Age: 77
Born: 1947
Born: February 3
Author
Autobiographer
Essayist
Film Director
Linguist
Novelist
Poet
Screenwriter
Translator
University Teacher
Writer
Newark
New Jersey
Paul Benjamin
Paul Queen
Paul Benjamin Auster
Relationship
Death
Sister
Invisible
Childhood
Brother

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Take a report. It's dry, the sentences are clunky and unfelicitous, they're just conveying information. But it seems to me that if you're fully engaged in a great piece of literature, once you enter the rhythms of the language, which is a kind of music, meanings are being conveyed that you're not fully aware of. They enter into your subconscious.
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Something happens, Blue thinks, and then it goes on happening forever. It can never be changed, can never be otherwise.
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As long as you are dreaming, there is always a way out
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When I look back at experience [with my father], all I can do is feel pity. You know, how torn he was about how to act, what to say. And it seems an important story to me.
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Let me tell you, there's no better medicine than a friendly card game for sloughing off the cares of a workaday world.
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It would be a terrible world if everyone was an artist. Nothing would get done!
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You have to protect it too, you can't let just any stupid person take it and do something demoralizing with it. At the same time, I don't believe in being so rigid about controlling what happens either.
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The kind of fiction I'm trying to write is about telling the truth.
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My characters, I find them as I'm writing. It's quite incredible how fully realized they are in my mind, how many details I know about each of them.
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I was extremely shy. And I simply didn't know how to go about it. It seemed a lot easier to write than to make films. All I needed was a pencil and a piece of paper, whereas filmmaking was something I had no access to.
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Fiction creating reality.
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I never feel I'm standing on solid ground, and I do write with a certain kind of trembling fear.
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Betty died of a broken heart. Some people laugh when they hear that phrase, but that's because they don't know anything about the world. People die of broken hearts. It happens every day, and it will go on happening to the end of time.
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I feel now, in my impending old age, very lucky. I just can't tell you how lucky I feel, that I've managed to first of all, stay alive this long, in reasonably good health, and that I've been able to do what I want to do.
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There are two kinds of typical days. There's the typical day when I'm writing a novel, and there's the typical day when I'm not.
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When the publisher here in America wanted to put the word memoir on the title page [of 'Winter Journal'] and on the cover, I said, No, no, no, no, no, no. No genre whatsoever. It's an independent work not really connected to those things at all.
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The real is always way ahead of what we can imagine.
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I guess of all those novels, Don DeLillo's Falling Man is the one I like the best. I thought there were some beautiful things in that, particularly the relationship between the man who finds the briefcase and the woman whose husband owned the briefcase. It's quite a beautiful passage.
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I think people are trying out ideas with the new technology and it's too early to say where it's going exactly. But again, whether it's digital or paper, it doesn't matter. It's words that somebody is reading and getting an experience out of that reading. That's all that really matters.
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You can't put your feet on the ground until you've touched the sky.
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