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I have difficulty orienting myself in space, and I'm probably one of the few people who gets lost in Manhattan.

Paul Auster

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Paul Auster
Age: 77
Born: 1947
Born: February 3
Author
Autobiographer
Essayist
Film Director
Linguist
Novelist
Poet
Screenwriter
Translator
University Teacher
Writer
Newark
New Jersey
Paul Benjamin
Paul Queen
Paul Benjamin Auster
Space
Lost
People
Manhattan
Difficulty
Gets
Probably

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I don't like talking about my work at all. I find it very difficult. I never know what to say. It's too close to me, and there's so many things happening unconsciously while I'm working that I'm not aware of, and people will point these things out to me, and I'll say, That's interesting. But I don't know what to make of it.
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Changing your mind is probably one of the most beautiful things people can do. And I've changed my mind about a lot of things over the years.
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You're too good for this world, and because of that the world will eventually crush you.
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In the same way, the world is not the sum of all the things that are in it. It is the infinitely complex network of connections among them. As in the meanings of words, things take on meaning only in relationship to each other.
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Let me tell you, there's no better medicine than a friendly card game for sloughing off the cares of a workaday world.
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I see myself as anybody, as everybody I'm not just telling the story of my life to give the reader a picture of who I am.
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You think it will never happen to you, that it cannot happen to you, that you are the only person in the world to whom none of these things will ever happen, and then, one by one, they all begin to happen to you, in the same way they happen to everyone else.
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I like the sound a typewriter makes.
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I've found that writing novels is an all-absorbing experience - both physical and mental - and I have to do it every day in order to keep the rhythm, to keep myself focused on what I'm doing.
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I can never say 'why' about anything I do. I suppose I can say 'how' and 'when' and 'what.' But 'why' is impenetrable to me.
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The mental state I'm in is completely different, but the act of trying to write is the same. I mean, in all instances you try to write good sentences. But in a novel you're free to do whatever you want, and in the autobiographical works you can't make things up.
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Something happens, Blue thinks, and then it goes on happening forever. It can never be changed, can never be otherwise.
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There is a double rhythm in all human beings. We are binary beings - two arms, two legs, two eyes, two ears. Two legs for walking. And the heartbeat thumping in our chest mirrors that.
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He would conclude that nothing was real except chance.
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Eighteen is a terrible age, and while I walked around with the conviction that I was somehow more grown-up than my classmates, the truth was that I had merely found a different way of being young.
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As Siri says, who is deeply involved with neuroscience, emotion consolidates memory, and I think that's true.
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I was extremely shy. And I simply didn't know how to go about it. It seemed a lot easier to write than to make films. All I needed was a pencil and a piece of paper, whereas filmmaking was something I had no access to.
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I'd go nuts. Because people look at the same passage and one person will say this is the best thing he's ever read, and another person will say it's absolutely idiotic. I mean, there's no way to reconcile those two things. You just have to forget the whole business of what people are saying.
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I would say that Edgar Allan Poe, [Georges] Perec, Thomas Pynchon, and [Jorge Luis] Borges are all boy-writers. These are writers who take... a kind of demonic joy in writing.
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When the publisher here in America wanted to put the word memoir on the title page [of 'Winter Journal'] and on the cover, I said, No, no, no, no, no, no. No genre whatsoever. It's an independent work not really connected to those things at all.
Paul Auster