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Guilt kept me going. It was impossible not to blame myself for what had happened, but even guilt was a comfort. It was a human feeling, a sign that I was still attached to the same world that other men lived in.

Paul Auster

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Paul Auster
Age: 77
Born: 1947
Born: February 3
Author
Autobiographer
Essayist
Film Director
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Poet
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University Teacher
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Newark
New Jersey
Paul Benjamin
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Paul Benjamin Auster
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Guilt
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The only person I knew how to be with now was myself - but I wasn´t really anyone, and I wasn´t really alive. I was just someone who pretended to be alive, a dead mean who spent his days translating a dead man´s book.
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I think all writers are a bit crazy Damaged souls, incapable of doing anything else.
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Memoirs have dominated the literary scene now for ten or 20 or even 30 years: most of them seem to use the conventions of fiction and it's astonishing how in so many of these books people seem to be able to remember conversations that took place when they were five years old and give three pages of coherent dialogue, which is utterly impossible.
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Holes in the memory. You grab on to some things, others have completely disappeared.
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I'm really trying to dredge up what one might call intellectual and moral material. For example, when do you realize that you are an American? What age does that happen to you? When do you realize what religion your parents practice? When does it all become conscious? I was interested in exploring all of that.
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It would be a terrible world if everyone was an artist. Nothing would get done!
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I had jumped off the edge, and then, at the very last moment, something reached out and caught me in midair. That something is what I define as love. It is the one thing that can stop a man from falling, powerful enough to negate the laws of gravity.
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Once you finish a book, it doesn't belong to you anymore. You're giving it to other people. If something in what a writer writes can excite the imagination and the feelings of the reader, then that reader carries it around forever. Nothing is more vivid than good fiction.
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The things we remember are often things that have great emotional importance, and so they have a lasting effect.
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We find ourselves only by looking to what we’re not.
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Everyone reads a different book. That's what's interesting. Everyone sees a different film, as well. We bring our past lives to whatever work of art we're experiencing at that moment, and that's what makes it interesting. It's not mathematics. There are different answers for different people.
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Reason and memory are nearly always at odds.
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I guess I wanted to leave America for awhile. It wasn't that I wanted to become an expatriate, or just never come back, I needed some breathing room. I'd already been translating French poetry, I'd been to Paris once before and liked it very much, and so I just went.
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The funny thing is that I feel close to all my characters. Deep, deep inside them all. I can't describe how deeply I love them all.
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In fact, writing, especially writing autobiographical works, and this is actually the fourth time I've done it, each time I've done it I've felt deeply immersed in the material as I'm doing it, and then it's over and everything is the same.
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As long as a man had the courage to reject what society told him to do, he could live life on his own terms. To what end? To be free. But free to what end? To read books, to write books, to think.
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It became a habit of mine never to leave the house without a pencil in my pocket.
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Memory is the space in which a thing happens for a second time.
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