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Wounds are an essential part of life, and until you are wounded in some way, you cannot become a man.

Paul Auster

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Paul Auster
Age: 77
Born: 1947
Born: February 3
Author
Autobiographer
Essayist
Film Director
Linguist
Novelist
Poet
Screenwriter
Translator
University Teacher
Writer
Newark
New Jersey
Paul Benjamin
Paul Queen
Paul Benjamin Auster
Life
Wounds
Essential
Essentials
Cannot
Become
Part
Way
Men
Wounded

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I can never say 'why' about anything I do. I suppose I can say 'how' and 'when' and 'what.' But 'why' is impenetrable to me.
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I don't read reviews any more, but I'm told by my publisher who gives me an account of what people have been writing and it's been a very split kind of response.
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I'm not a man deeply interested in technology. It eludes me. I confess I don't even have a computer, I don't have a cell phone.
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I think that's what turns young men and women into writers - the happiness you discover living in books.
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You see, the interesting thing about books, as opposed, say, to films, is that it's always just one person encountering the book, it's not an audience, it's one to one.
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Memory is the space in which a thing happens for a second time.
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What I'm trying to do [in Winter Journal] is to tell the story of a man's life from birth, but there are different versions of him, four different versions.
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It seems to me that I will always be happy in the place where I am not.
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It would be a terrible world if everyone was an artist. Nothing would get done!
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Cities - I'm attracted to them, and I have a special attachment to New York...it's my place.
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I know the pleasure you get from making your films. The intense involvement in every aspect: the acting, the camera, the colors, the costumes, even the hair and makeup. Editing is thrilling. Everything to do with films is absorbing - everything but the money part, the business. But I'm deeply glad I've had that experience.
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Our lives carry us along in ways we cannot control, and almost nothing stays with us. It dies when we do, and death is something that happens to us every day.
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I guess of all those novels, Don DeLillo's Falling Man is the one I like the best. I thought there were some beautiful things in that, particularly the relationship between the man who finds the briefcase and the woman whose husband owned the briefcase. It's quite a beautiful passage.
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Holes in the memory. You grab on to some things, others have completely disappeared.
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I believe that every artist, in one way or another, is a wounded person. It's not natural to make art.
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I started out in life as a poet, I was only writing poetry all through my 20s, it wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels, I liked them.
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Some like to think that a keen appreciation of art can actually make us better people - more just, more moral, more sensitive, more understanding. Perhaps that is true - in certain rare, isolated cases.
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I was extremely shy. And I simply didn't know how to go about it. It seemed a lot easier to write than to make films. All I needed was a pencil and a piece of paper, whereas filmmaking was something I had no access to.
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The ideal reader's the same, and I suppose this person has never had a face or a gender or an age. It's just some kind of unknown other who will be sympathetic and read each word carefully and understand what I'm writing about. I suppose every writer feels this.
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Each book I've done somehow finds its own unique form, a specific way it has to be written, and once I find it, I stick with it.
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