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Something happens, Blue thinks, and then it goes on happening forever. It can never be changed, can never be otherwise.
Paul Auster
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Paul Auster
Age: 77
Born: 1947
Born: February 3
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More quotes by Paul Auster
You're too good for this world, and because of that the world will eventually crush you.
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Books demand more. You have to be a more active participant.
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It would be a terrible world if everyone was an artist. Nothing would get done!
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I write the paragraph, then I'm crossing out, changing words, trying to improve it. When it seems more or less OK, then I type it up because sometimes it's almost illegible, and if I wait, I might not be able to read it the next day.
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Our lives don't really belong to us, you see -- they belong to the world, and in spite of our efforts to make sense of it, the world is a place beyond our understanding.
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The funny thing is that I feel close to all my characters. Deep, deep inside them all. I can't describe how deeply I love them all.
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But lost chances are as much a part of life as chances taken, and a story cannot dwell on what might have been.
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I guess the toughest things in translations are word play, which can never be reproduced exactly.
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Every novel is an equal collaboration between the writer and the reader and it is the only place in the world where two strangers can meet on terms of absolute intimacy.
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How can you think about the world without factoring in the unforseen, the fluke event?
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We exist for ourselves, perhaps, and at times we even have a glimmer of who we are, but in the end we can never be sure, and as our lives go on, we become more and more opaque to ourselves, more and more aware of our own incoherence. No one can cross the boundary into another – for the simple reason that no one can gain access to himself.
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In my life, I've lived in very different kinds of places - very tiny rooms when I was young. And you do learn to cope with it. The funny thing is, as you begin to inhabit larger places, it's very interesting how quickly you adapt to your space. What seems enormous at first becomes natural after a few weeks.
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I have difficulty orienting myself in space, and I'm probably one of the few people who gets lost in Manhattan.
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Every historical moment needs the stories to be told about it.
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I started out in life as a poet, I was only writing poetry all through my 20s, it wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels, I liked them.
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I think that's what turns young men and women into writers - the happiness you discover living in books.
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Everyone reads a different book. That's what's interesting. Everyone sees a different film, as well. We bring our past lives to whatever work of art we're experiencing at that moment, and that's what makes it interesting. It's not mathematics. There are different answers for different people.
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The real is always way ahead of what we can imagine.
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I guess I wanted to leave America for awhile. It wasn't that I wanted to become an expatriate, or just never come back, I needed some breathing room. I'd already been translating French poetry, I'd been to Paris once before and liked it very much, and so I just went.
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What I'm trying to do [in Winter Journal] is to tell the story of a man's life from birth, but there are different versions of him, four different versions.
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