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You know, in Los Angeles, you're constantly in your car, you're sealed up, you're not walking around. Whereas in New York, after a while, all your stuff is kind of public, in one way or the other. I'm not saying either one of those is bad they're both great for a very specific kind of comedian. And I'm glad that they both exist.

Patton Oswalt

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Patton Oswalt
Age: 55
Born: 1969
Born: January 27
Actor
Comedian
Film Actor
Film Producer
Screenwriter
Television Actor
Television Producer
Voice Actor
Writer
Portsmouth
Virginia
Patton Peter Oswalt
Patton P. Oswalt
Saying
Comedian
Either
Specific
Public
Glad
Stuff
Constantly
Around
Car
Great
York
Sealed
Kind
Exist
Angeles
Way
Walking
Whereas

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If I were to just focus on stand-up, I could actually, paradoxically enough, be home way more, because I would leave on a Friday, go do a couple theaters Friday, Saturday, maybe Sunday, come home.
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All the truly great stand-ups say, I go onstage, and I work on jokes. The inspiration will happen while I'm doing my work. To me, in the end, the surest thing is work.
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When you put an album out, you can't do any material from the album if people are paying to see you.
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90% of every art form is garbage - dance and stand-up, painting and music. Focus on the 10% that's good, suck it up, and drive on.
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I'm going to continue to try to strike a balance, because I really, really do love doing stand-up, and I don't see why it should affect the acting. And again, I'm not going, I've got to become a dramatic actor now. I just want more interesting jobs. I just want to keep doing stuff that's different.
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I think the kind of person that gravitates toward New York is a person that's not so much focused on controlling exactly how they appear and how they exit. They're more fascinated with the process.
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Everything we have today that's cool comes from someone wanting more of something they loved in the past. Action figures, videogames, superhero movies, iPods: All are continuations of a love that wanted more.
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Anything's better than Gen X which is what we got. Thanks Douglas Coupland. We sound like a team of mutant vigalantees with frosted hair and chain wallets. Actually that's not completely horrible.
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In my mind, I was always a comedian who was going to branch into writing.
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Every zombie story is fundamentally about a breakdown of order, with the infrastructure intact. That infrastructure might be on fire, yes.
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When you act, you're being asked to pretend in a very rigid, controlled environment. It's very un-childlike. So a lot of times, when you put kids in that situation, you hope they have a better support system outside of what they're doing to bring them back to reality at the end of the day and to keep them well-rounded.
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Any comedian who tells you how dark and dangerous they are, they're not dark and dangerous.
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It's like our country is being run by a bunch of bad alcoholic dads right now.
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We would not be here if humanity were inherently evil. We'd have eaten ourselves alive long ago.
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To get asked to do stuff like 'United States Of Tara' and 'Caprica' is terrific. I can't complain.
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I think right now is the best time for stand-up, ever. I sincerely do.
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I'm grateful that I had that uphill battle for 10 years of going onstage and having nobody know who I was, because you have to win them over.
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