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How can I appreciate light from an aging sun shining through new configurations neither pine nor ash? How can I extol the nuturing fragrances from the spires, the spicules of a landscape not yet formed or seeded?

Pattiann Rogers

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Pattiann Rogers
Age: 84
Born: 1940
Born: March 23
Poet
Writer
Joplin
Missouri
Formed
Fragrances
Aging
Configurations
Landscape
Extol
Shining
Spires
Neither
Configuration
Appreciate
Pine
Sun
Fragrance
Light
Ashes
Seeded

More quotes by Pattiann Rogers

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One of the most important differences I see between prose and poetry is the music of the language.
Pattiann Rogers
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The greatest tragedy that can befall a poet is to be praised by being misunderstood.
Pattiann Rogers
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To my mind, most prose poems are more prose than poetry. They don't possess most of the qualities of a poem.
Pattiann Rogers
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I like poetry because poetry - even in free verse - is formal, and it has to be very concise and packed and rich, and I like the feeling of having to do that, having to make the language tight and still free, as if the deepest freedom is created by the restrictions.
Pattiann Rogers
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My object when writing prose is to write as clearly as possible. I think I know what I'm saying in prose, and I want others to understand it and to be able to restate it.
Pattiann Rogers
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When the music created by the sounds and ordering of the words matches the thrust of the meanings of the words, then a radiant state of awareness can occur.
Pattiann Rogers
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If I'm excited by something bodily, and curious about it, I generally want to delve into it and explore it with poetry. That's the way I ordinarily watch the world around me.
Pattiann Rogers
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It sounds old-fashioned to say, but we have some kind of purpose for being here, not poets or writers, but all of us humans.
Pattiann Rogers
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Often when I write poetry I don't quite know what I'm saying myself. I mean, I can't restate the poem. The meaning of the poem is the poem.
Pattiann Rogers
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The silences express so much and are so crucial in music, and prose does not allow for the creation of these silences, these white spaces on the page or the computer screen.
Pattiann Rogers
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In poetry I can let the language go, allow an image that seems out of place to enter and see what happens, always listening to the music that's being created, just like the world around us, never predictable, always shifting and intertwining, reflecting and echoing itself.
Pattiann Rogers
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From the beginning I felt that I didn't ever want to leave the impression that the process of writing a poem is totally mysterious. I couldn't explain everything that went on in the creation of a poem, but I could try to explain as much as I knew. I thought readers deserved that. I didn't want to set myself apart as being someone special.
Pattiann Rogers
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Poetry doesn't function by saying things straightforwardly because the language is too imprecise, too limited often, to address the underlying subject of most poems.
Pattiann Rogers
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I'm all in favor of poets telling about the process as much as they can. And many do.
Pattiann Rogers
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I approach writing a poem in a much different state than when I am writing prose. It's almost as if I were working in a different language when I'm writing poetry. The words - what they are and what they can become - the possibilities of the words are vastly expanded for me when I'm writing a poem.
Pattiann Rogers
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I'd rather call prose poems something else, for clarity - something like poetic prose, prose that contains a quality of poetry, but not poems.
Pattiann Rogers
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Poetry is so close to music, not just in cadence and sound but in silences. That's why, to me, I can't talk about prose poems. I can talk about poetic prose.
Pattiann Rogers
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As far as I can tell, writing the essays didn't change the way I wrote poetry. Although the essays contain scattered passages that might be called lyrical, they often contain closed statements of what is only suggested in the poetry.
Pattiann Rogers
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I see my poems as interlinked. No poem gives an answer. It may offer other questions, it may instigate other questions that then become poems.
Pattiann Rogers
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What triggers a poem for me is not the same as what triggers an essay. My mind is geared now to looking for, or to watching out for, the image that attracts my attention or the phrase or the strange juxtaposition that strikes me bodily, or an odd question or supposition.
Pattiann Rogers