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I think I work in two worlds. I'll always try to kick through a wall. I did that when I was younger and I still have my way of doing that.
Patti Smith
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Patti Smith
Age: 77
Born: 1946
Born: December 30
Composer
Drawer
Guitarist
Human Rights Activist
Musician
Photographer
Poet
Singer
Singer-Songwriter
Visual Artist
Writer
Chicago
Illinois
Patricia Lee Smith
Trying
Kick
Work
Kicks
Way
Worlds
Always
Younger
Think
Wall
Thinking
Two
World
Stills
Still
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When I was younger, I felt it was my duty to wake people up. I thought poetry was asleep. I thought rock 'n' roll was asleep.
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Horses pretty much broke as a record in England.
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I just like living in certain atmospheres. Or I just like people as they are.
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I reflected on the fact that no matter how good I aspired to be, I was never going to achieve perfection
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We tried not to age, but time had its rage.
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I believe we all have a unique journey, whether its a journey of pure energy, if there's any intelligence within the journey. But I think each of us have our own way of dissipating or entering a new field.
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I always wear the same thing onstage.
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I think masturbating is a really important function in art. People don't like to hear that kind of stuff, but it's true.
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Steven [Sebring] just fell in with my family life. He helped me wash the dishes and play with the kids. I could tell that he was a person who understood families.
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It's not that I have compromised or anything, but it's always been important to me to take good care of myself and be a good example. I'm not much a role model in terms of hair care, though.
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I was so used to doing art that my fingers were like albino spiders. So it was just natural for me to go to a typewriter and write poetry.
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All the traumas I went through separating art from writing don't exist anymore. That's why I love being in rock 'n' roll. It's a whole life thing.
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I'm not a critic. I'm not a journalist. I'm not a philosopher. Arguing that punk has run its course is like saying painting ran its course after the Renaissance. Punk is an idea. It's freedom. And it'll be around 200 years from now for the people who want it.
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The truth is, no matter how modest Steven [Sebring] is, he was obsessed with the outcome of the film [Dream of Life]. Every single frame was important to him.
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Hail brother, the distant thunder is nothing but hearts beating as one.
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My introduction to photography and a lot of how I developed aesthetically was through '50s and early-'60s fashion magazines like Harper's Bazaar and Vogue.
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I never felt oppressed because of my gender. When I'm writing a poem or drawing, I'm not a female I'm an artist.
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