Quote

The song that's affected me the most profoundly is probably Michael Jackson's 'Thriller,' or, more specifically, the couple seconds of instrumental break before Vincent Price starts 'rapping.'

Patrick Stump

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Patrick Stump
Age: 40
Born: 1984
Born: April 27
Actor
Composer
Guitarist
Lyricist
Musician
Record Producer
Singer
Singer-Songwriter
Songwriter
Glenview
Illinois
Patrick Vaughn Stump
Patrick Vaughn Stumph
Patrick Martin Stumph
Break
Michael
Vincent
Song
Seconds
Rapping
Rap
Thriller
Affected
Instrumental
Starts
Thrillers
Price
Profoundly
Couple
Specifically
Probably
Jackson

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I'm very much a night person. Morning is a thing I only experience because I have to.
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You have total freedom. It's like, if you do a solo record, there are no restrictions and you can do whatever you want, good or bad. You can have these passing fancies where you go in to the studio one day and you want to do something like what you did on the way in. That's dangerous. You have to have some sort of focus.
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I'd hate wearing suits every day.
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The music that I made in my band wasn't the expression of everything I was into. Bands are based on compromise.
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Speed is absolutely key to creativity. The more time it takes to create something, the less likely you are to create something.
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In reply to 'how do I flirt with people?': Just be yourself and not want anything out of anybody. Desire is the killer of all smoothness.
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Self-deprecating or arrogant, it's all selfish. Hard as it is, life's better when you spend more time on the rest of the world
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The music business is one of a few places where everything you've heard about it seems entirely cliche, but it's true.
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I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.
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Good music is good music, regardless of where it comes from. I think that's a really important thing to carry with you.
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'As Long As I Know I'm Getting Paid' is a satire. Lyrically, I want to be direct. With my history in Fall Out Boy, there's some expectation that I'm going to be lyrically obtuse. But that song is a straight-faced satire of consumerism.
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For some people, home is family and their mom's house or their girl or whatever, and I have those experiences as well, but the biggest thing for me is Chicago. I don't know how to explain it.
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I always think about opportunity and how you regret the things you don't do.
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I look at albums like novels. If you write a really good scene or a really good moment, just because you wrote it, doesn't mean that it fits with the story that you're writing.
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I have always loved David Bowie. When he began to experiment with pop music in the 80's, I really thought there was a really fascinating reverence for it. A lot of people looked at pop music as just idiot music, or dance music, and with this he was giving it a lot of respect.
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There's a certain fear of simplicity. I think that's the thing when you're younger as an artist you get this idea in your head that complexity equals quality. The more notes you're playing, the better.
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I was talking to my grandpa last Thanksgiving. He pulled me aside and was like, This Thanksgiving is the 150th for the Vaughn family in Chicago. I was like, Cool, whatever, but I think when you have a culture like that, you should have a real appreciation for it. My family's been there forever and I don't want to leave.
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I lost about 60 pounds. I don't really have a moment specifically that made me do it. I remember little things, like, when I was in Japan, I remember looking around at the portion sizes of a fast food restaurant and being like, 'Well, this has something to do with it.' Americans definitely eat too much.
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I love playing our older songs along with newer ones but If all I have is my old stuff, I quit. Creating is more rewarding.
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I've learned a lot about things because of the Internet. I'm happy with it, but it's a long road for me. I'm still definitely a little anti.
Patrick Stump