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I don't believe any genre of music can be unilaterally dismissed (aside from like, white-power music or something).

Patrick Stump

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Patrick Stump
Age: 40
Born: 1984
Born: April 27
Actor
Composer
Guitarist
Lyricist
Musician
Record Producer
Singer
Singer-Songwriter
Songwriter
Glenview
Illinois
Patrick Vaughn Stump
Patrick Vaughn Stumph
Patrick Martin Stumph
Power
Music
Something
Unilaterally
Believe
Dismissed
Like
Aside
Genre
White

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For some people, home is family and their mom's house or their girl or whatever, and I have those experiences as well, but the biggest thing for me is Chicago. I don't know how to explain it.
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I'd hate wearing suits every day.
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I'm very much a night person. Morning is a thing I only experience because I have to.
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Self-deprecating or arrogant, it's all selfish. Hard as it is, life's better when you spend more time on the rest of the world
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I look at albums like novels. If you write a really good scene or a really good moment, just because you wrote it, doesn't mean that it fits with the story that you're writing.
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I very often think about doing things that I would want other artists to do. Like, if I'm a fan of whoever, I want to be treated a certain way. So I realized it came off almost elitist to ignore the whole world of Twitter and Facebook.
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There's a certain fear of simplicity. I think that's the thing when you're younger as an artist you get this idea in your head that complexity equals quality. The more notes you're playing, the better.
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You could be your own spotlight!
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Between Prince and my dad's fusion-jazz records, I didn't have a choice in being funky.
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Drums were my first instrument, my first love. I need rhythm, something that moves.
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I think you can totally be a totally normal kid from the suburbs of Chicago and go off and play shows. It's one of those things that when you go home, you're still the nerd you were when you left, and your parents still get to yell at you about cleaning up your room, and your girlfriend still drags you to the pet store.
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I'm really attracted to music that sort of toes that line between pop and avant-garde, that pushes the envelope of what you can get in a pop song.
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I think any good artist - and I'm not saying that I am one - takes notes and should first emulate their heroes and then try to move beyond them.
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Stray thought for the day: Putting boundaries on how punk should sound/look is the least punk rock thing one can do. Be yourself=Very punk.
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When you're a little kid, you just like music that makes you happy and is fun. As you get older, you reach college or your 20s and you decide that music should be challenging and all art should be smart. So you start to think it makes you like high art more to put down things you consider low art. I don't even think things are low art.
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In Fall Out Boy, we were all playing with our pop punk influences, so that was always within that kind of framework.
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I would love to hang out with Elvis Costello, to see what he's up to because he seems so fascinating to me.
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I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
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I don't mind if someone thinks I'm a sell out. I go to bed happy knowing I do what I do and I'm not doing anything for reasons of money, and if I were trying to pick up chicks, I'm doing a horrible job. And if I wanted to drive awesome cars, I'm doing a really bad job there too.
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I lost about 60 pounds. I don't really have a moment specifically that made me do it. I remember little things, like, when I was in Japan, I remember looking around at the portion sizes of a fast food restaurant and being like, 'Well, this has something to do with it.' Americans definitely eat too much.
Patrick Stump