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I don't believe any genre of music can be unilaterally dismissed (aside from like, white-power music or something).

Patrick Stump

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Patrick Stump
Age: 40
Born: 1984
Born: April 27
Actor
Composer
Guitarist
Lyricist
Musician
Record Producer
Singer
Singer-Songwriter
Songwriter
Glenview
Illinois
Patrick Vaughn Stump
Patrick Vaughn Stumph
Patrick Martin Stumph
Like
Dismissed
Aside
Genre
White
Power
Music
Something
Believe
Unilaterally

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There are two types of bands - there are the ones that are basically solo projects anyways, where there's clearly the one guy who's driving the ship and everyone else is just along for the ride. And then there was my band, where you have a few very disparate-taste, creative people who kind of meet in the middle somewhere.
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I've learned a lot about things because of the Internet. I'm happy with it, but it's a long road for me. I'm still definitely a little anti.
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I love New Zealand. Every time I'm in New Zealand someone makes a joke about it being mostly sheep, which I think is unfair, because it's mostly nice people. It's mostly nice people and really wonderful scenery.
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I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
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Sometimes before it gets better, the darkness gets bigger. The person that you'd take a bullet for is behind the trigger.
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I lost about 60 pounds. I don't really have a moment specifically that made me do it. I remember little things, like, when I was in Japan, I remember looking around at the portion sizes of a fast food restaurant and being like, 'Well, this has something to do with it.' Americans definitely eat too much.
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The song that's affected me the most profoundly is probably Michael Jackson's 'Thriller,' or, more specifically, the couple seconds of instrumental break before Vincent Price starts 'rapping.'
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For some people, home is family and their mom's house or their girl or whatever, and I have those experiences as well, but the biggest thing for me is Chicago. I don't know how to explain it.
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When you're No. 1 or No. 300, you still get to play and write the songs.
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Between Prince and my dad's fusion-jazz records, I didn't have a choice in being funky.
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Most producers get into it because they were just never handsome or charismatic or talented enough to be the star.
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You have total freedom. It's like, if you do a solo record, there are no restrictions and you can do whatever you want, good or bad. You can have these passing fancies where you go in to the studio one day and you want to do something like what you did on the way in. That's dangerous. You have to have some sort of focus.
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He's writing what I'm singing, and I'm writing what he's playing.
Patrick Stump
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I used to work in a record store. I'm kind of a record nerd.
Patrick Stump
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I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.
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Stray thought for the day: Putting boundaries on how punk should sound/look is the least punk rock thing one can do. Be yourself=Very punk.
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When you make art, you get really invested in it. When art happens by accident and you were just along for the ride? It's way more fun.
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I don't mind if someone thinks I'm a sell out. I go to bed happy knowing I do what I do and I'm not doing anything for reasons of money, and if I were trying to pick up chicks, I'm doing a horrible job. And if I wanted to drive awesome cars, I'm doing a really bad job there too.
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There's a certain fear of simplicity. I think that's the thing when you're younger as an artist you get this idea in your head that complexity equals quality. The more notes you're playing, the better.
Patrick Stump
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'As Long As I Know I'm Getting Paid' is a satire. Lyrically, I want to be direct. With my history in Fall Out Boy, there's some expectation that I'm going to be lyrically obtuse. But that song is a straight-faced satire of consumerism.
Patrick Stump