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In reply to 'how do I flirt with people?': Just be yourself and not want anything out of anybody. Desire is the killer of all smoothness.

Patrick Stump

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Patrick Stump
Age: 40
Born: 1984
Born: April 27
Actor
Composer
Guitarist
Lyricist
Musician
Record Producer
Singer
Singer-Songwriter
Songwriter
Glenview
Illinois
Patrick Vaughn Stump
Patrick Vaughn Stumph
Patrick Martin Stumph
Anything
Smoothness
People
Flirt
Flirting
Reply
Killer
Killers
Anybody
Desire

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Drums were my first instrument, my first love. I need rhythm, something that moves.
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I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.
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I lost about 60 pounds. I don't really have a moment specifically that made me do it. I remember little things, like, when I was in Japan, I remember looking around at the portion sizes of a fast food restaurant and being like, 'Well, this has something to do with it.' Americans definitely eat too much.
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I was talking to my grandpa last Thanksgiving. He pulled me aside and was like, This Thanksgiving is the 150th for the Vaughn family in Chicago. I was like, Cool, whatever, but I think when you have a culture like that, you should have a real appreciation for it. My family's been there forever and I don't want to leave.
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When you're No. 1 or No. 300, you still get to play and write the songs.
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All of the agreed-upon pariahs throughout pop-culture history put their identities into the thing we decry. And yet we derive our own identities from the act of hating. We connect on the things we are disappointed in. Some may argue that nothing in history gathers a crowd like complaining about Lady Gaga's meat dress.
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I look at albums like novels. If you write a really good scene or a really good moment, just because you wrote it, doesn't mean that it fits with the story that you're writing.
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He's writing what I'm singing, and I'm writing what he's playing.
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Lyrically, I personally lean towards venting.
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I think you can totally be a totally normal kid from the suburbs of Chicago and go off and play shows. It's one of those things that when you go home, you're still the nerd you were when you left, and your parents still get to yell at you about cleaning up your room, and your girlfriend still drags you to the pet store.
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I used to work in a record store. I'm kind of a record nerd.
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I don't believe any genre of music can be unilaterally dismissed (aside from like, white-power music or something).
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I love Korean food, and it's kind of like home to me. The area that I grew up in outside Chicago, Glenview, is heavily Korean. A lot of my friends growing up were Korean and when I would eat dinner at their houses, their parents wouldn't tell me the names of the dishes because I would butcher the language.
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I'm really attracted to music that sort of toes that line between pop and avant-garde, that pushes the envelope of what you can get in a pop song.
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I don't mind if someone thinks I'm a sell out. I go to bed happy knowing I do what I do and I'm not doing anything for reasons of money, and if I were trying to pick up chicks, I'm doing a horrible job. And if I wanted to drive awesome cars, I'm doing a really bad job there too.
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'As Long As I Know I'm Getting Paid' is a satire. Lyrically, I want to be direct. With my history in Fall Out Boy, there's some expectation that I'm going to be lyrically obtuse. But that song is a straight-faced satire of consumerism.
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You have total freedom. It's like, if you do a solo record, there are no restrictions and you can do whatever you want, good or bad. You can have these passing fancies where you go in to the studio one day and you want to do something like what you did on the way in. That's dangerous. You have to have some sort of focus.
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Be yourself! Love your mom, but if she's trying to get you to be someone you're not, she's in the wrong
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There are two types of bands - there are the ones that are basically solo projects anyways, where there's clearly the one guy who's driving the ship and everyone else is just along for the ride. And then there was my band, where you have a few very disparate-taste, creative people who kind of meet in the middle somewhere.
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Sometimes before it gets better, the darkness gets bigger. The person that you'd take a bullet for is behind the trigger.
Patrick Stump