Quote

It's easier to write about heartbreak after you've had your heart broken. You have more material to draw from, you can extrapolate from your own experiences and make reasonable assumptions about how your characters would feel and act.

Patrick Rothfuss

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Patrick Rothfuss
Age: 51
Born: 1973
Born: June 6
Novelist
Teacher
Writer
Madison
Wisconsin
Patrick James Rothfuss
Experiences
Character
Draws
Feel
Material
Extrapolate
Feels
Materials
Assumptions
Writing
Characters
Heartbreak
Heart
Assumption
Make
Broken
Reasonable
Would
Easier
Draw
Write

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I learned to love the feel of good words.
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If you fall, you fall, Elodin shrugged. Sometimes falling teaches us things too. In dreams you often fall before you wake.
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One reason we love fiction is because stories have a comforting shape. They provide a resolution that's lacking in our regular lives.
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What I'd love more than anything is for Worldbuilders to continue to grow and become entangled in all the different corners of the geek community.
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Fencing is more a sport than a martial art. It would be like basing your knowledge of roman phalanx warfare on NFL football.
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The good thing about working on the books for 14 years before they hit the shelves is that I worked out most of the kinks long before they were published.
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Ambrose, your presence is the horseshit frosting on the horseshit cake that is the admissions interview process.
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Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind's way of protecting itself from pain.
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I'm honestly not a big fan of pitching things. I'm a firm believer of letting the product speak for iteself.
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Humor is important. If you're going to tell any sort of realistic story, you're going to have to have humor in it, because people are funny. Clever people especially.
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You can't write good characters if you can't imagine what it's like being in another person's skin. And if you can imagine that, you naturally want other people's lives to be better. You want to make that happen.
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Nobody cooks using just one ingredient. Why would you write using just one flavor of story?
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For most practical purposes Tarbean had two pieces: Waterside and Hillside. Waterside is where people are poor. That makes them beggars, thieves, and whores. Hillside is where people are rich. That makes them solicitors, politicians, and courtesans.
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With slow care rather than stealth we must approach the subject of a certain woman. Her wildness is of such degree, I fear approaching her too quickly even in a story. Should I move recklessly, I might startle even the idea of her into sudden flight.
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She looked at me. What? Is there something wrong with my idea? It's not very heroic, I said dismissively. I was expecting something with a little more flair. Well, I left my armor and warhorse at home, she said. You're just upset because your big University brain couldn't think of a way, and my plan is brilliant.
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Too much truth confuses the facts. Too much honesty makes you sound insincere.
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...if I have ever met someone without a single shadow on their heart, it was surely a child too young for speaking.
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Writing a good query letter has very little to do with writing a good novel. But if you can't write the one, it makes it really hard to get the other published.
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If there is one thing I will not abide it is the folly of a willful pride.
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Small facts lead to great knowing.
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