Quote

I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.

Patricia Piccinini

Change background

T
T
T

Change font

TAGS & TOPICS

Patricia Piccinini
Age: 59
Born: 1965
Born: January 1
Artist
Photographer
Sculptor
Deal
Biotechnology
Deals
Imaging
Started
Conceptual
Practice
Digital
Ideas
Appropriate
Way
Advertising
Thinking
Seemed
Photography

More quotes by Patricia Piccinini

Image
I pretty much keep everything we have drawers full of samples and tests and every old catalogue and magazine.
Patricia Piccinini
Image
I use whatever media I think will best express my ideas and therefore I don't have a lot invested in the idea of photography specifically. I am more interested in Art.
Patricia Piccinini
Image
I don't think 'Dark Heart' has to be malevolent. It conveys a sense of depth. There is a sense of questioning turmoil.
Patricia Piccinini
Image
I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.
Patricia Piccinini
Image
Of course, all my work is photographed and I also take quite a lot of photographs of work in production.
Patricia Piccinini
Image
My practice is focused on bodies and relationships the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.
Patricia Piccinini
Image
The idea that we can have a new life form, what does it say about the zoo's main purpose, which is to preserve life? What does it say when the artificial and real animal can have the same attraction to people?
Patricia Piccinini
Image
I would say my work is anti-ironic.
Patricia Piccinini
Image
I put a lot of time and thought into my work, which I see as a sort of respect for both the work and the audience, and I have always been very concerned that the materiality of the work reflects that.
Patricia Piccinini
Image
I don't set out to make something that is repulsive and that would scare people. I know that some people don't like what I make, and don't find it cute, but that's hard for me to understand.
Patricia Piccinini
Image
I struggle in life to find a sense of joy in things.
Patricia Piccinini
Image
Melbourne is a fantastic place to work, but it's not the centre of the world.
Patricia Piccinini
Image
Artists make worlds for people to walk through.
Patricia Piccinini
Image
Skywhale is ambiguous. I think she is beautiful, but a lot of people think she is grotesque. You are drawn in and repelled at the same time, and it has to have that dynamic. My work has a certain element of abject mutation, uncertainty and darkness. Even she is dark - I mean she has ten breasts.
Patricia Piccinini
Image
Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.
Patricia Piccinini
Image
Ideas rather than methods are central to they way I work, although drawing plays a central generative role in everything I do.
Patricia Piccinini
Image
I certainly don't see the humour in my work as something that detracts from its seriousness. It's just a way of making difficult messages more palatable.
Patricia Piccinini
Image
As we get older, our world gets smaller and we start to doubt and question. We are really suspicious of difference.
Patricia Piccinini
Image
It's much easier to do something that's seen as being serious because people accept it right away, they don't question what you do, they just accept, because they think you must be right.
Patricia Piccinini
Image
In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.
Patricia Piccinini