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Melbourne is a fantastic place to work, but it's not the centre of the world.
Patricia Piccinini
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Patricia Piccinini
Age: 59
Born: 1965
Born: January 1
Artist
Photographer
Sculptor
World
Melbourne
Centre
Fantastic
Place
Work
More quotes by Patricia Piccinini
How does contemporary technology and culture changes our understanding of what it means to be human. What is our relationship with - and responsibilities towards - that which we create.
Patricia Piccinini
I tend to work towards specific exhibitions, so there will often be a big push towards the end when we're finishing off a bunch of stuff.
Patricia Piccinini
Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.
Patricia Piccinini
In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.
Patricia Piccinini
It's much easier to do something that's seen as being serious because people accept it right away, they don't question what you do, they just accept, because they think you must be right.
Patricia Piccinini
Thinking is a social process. I talk to everyone from children to anthropologists and philosophers. I try my ideas out on people and they talk back to you. That's how ideas get formed.
Patricia Piccinini
I have had sculptures cast in bronze, silver and aluminium. My drawings are all graphite or pigment ink and gouache on paper.
Patricia Piccinini
I am particularly interested in the way that the everyday realities of the world around us change these relations.
Patricia Piccinini
I don't think 'Dark Heart' has to be malevolent. It conveys a sense of depth. There is a sense of questioning turmoil.
Patricia Piccinini
I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.
Patricia Piccinini
Ideas rather than methods are central to they way I work, although drawing plays a central generative role in everything I do.
Patricia Piccinini
It's interesting to work with what's important today, which is meaningful for our everyday lives.
Patricia Piccinini
I don't want the ideas to be limited by what I can physically do. The ideas come first.
Patricia Piccinini
Of course, all my work is photographed and I also take quite a lot of photographs of work in production.
Patricia Piccinini
I feel that there's hardly any irony in my work if there's anything, there'll be sincerity, which people sometimes find hard to deal with.
Patricia Piccinini
I put a lot of time and thought into my work, which I see as a sort of respect for both the work and the audience, and I have always been very concerned that the materiality of the work reflects that.
Patricia Piccinini
I don't set out to make something that is repulsive and that would scare people. I know that some people don't like what I make, and don't find it cute, but that's hard for me to understand.
Patricia Piccinini
I would say my work is anti-ironic.
Patricia Piccinini
Artists make worlds for people to walk through.
Patricia Piccinini
Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.
Patricia Piccinini