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I pretty much keep everything we have drawers full of samples and tests and every old catalogue and magazine.

Patricia Piccinini

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Patricia Piccinini
Age: 59
Born: 1965
Born: January 1
Artist
Photographer
Sculptor
Everything
Drawers
Much
Sample
Every
Magazine
Magazines
Tests
Pretty
Catalogue
Full
Samples
Keep
Catalogues

More quotes by Patricia Piccinini

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I use whatever media I think will best express my ideas and therefore I don't have a lot invested in the idea of photography specifically. I am more interested in Art.
Patricia Piccinini
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I put a lot of time and thought into my work, which I see as a sort of respect for both the work and the audience, and I have always been very concerned that the materiality of the work reflects that.
Patricia Piccinini
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I don't set out to make something that is repulsive and that would scare people. I know that some people don't like what I make, and don't find it cute, but that's hard for me to understand.
Patricia Piccinini
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Ideas rather than methods are central to they way I work, although drawing plays a central generative role in everything I do.
Patricia Piccinini
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I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.
Patricia Piccinini
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My Father is a photographer, so it was always around. I was trained in painting, so I learnt a lot of skills about composition, light, colour, the formal attributes of images.
Patricia Piccinini
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The idea that we can have a new life form, what does it say about the zoo's main purpose, which is to preserve life? What does it say when the artificial and real animal can have the same attraction to people?
Patricia Piccinini
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Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.
Patricia Piccinini
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Artists make worlds for people to walk through.
Patricia Piccinini
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It's interesting to work with what's important today, which is meaningful for our everyday lives.
Patricia Piccinini
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In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.
Patricia Piccinini
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As we get older, our world gets smaller and we start to doubt and question. We are really suspicious of difference.
Patricia Piccinini
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I struggle in life to find a sense of joy in things.
Patricia Piccinini
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It's much easier to do something that's seen as being serious because people accept it right away, they don't question what you do, they just accept, because they think you must be right.
Patricia Piccinini
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I don't want the ideas to be limited by what I can physically do. The ideas come first.
Patricia Piccinini
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Thinking is a social process. I talk to everyone from children to anthropologists and philosophers. I try my ideas out on people and they talk back to you. That's how ideas get formed.
Patricia Piccinini
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Melbourne is a fantastic place to work, but it's not the centre of the world.
Patricia Piccinini
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I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.
Patricia Piccinini
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How does contemporary technology and culture changes our understanding of what it means to be human. What is our relationship with - and responsibilities towards - that which we create.
Patricia Piccinini
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My practice is focused on bodies and relationships the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.
Patricia Piccinini