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I pretty much keep everything we have drawers full of samples and tests and every old catalogue and magazine.
Patricia Piccinini
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Patricia Piccinini
Age: 60
Born: 1965
Born: January 1
Artist
Photographer
Sculptor
Magazines
Tests
Pretty
Catalogue
Full
Samples
Keep
Catalogues
Everything
Drawers
Much
Sample
Every
Magazine
More quotes by Patricia Piccinini
I tend to work towards specific exhibitions, so there will often be a big push towards the end when we're finishing off a bunch of stuff.
Patricia Piccinini
I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.
Patricia Piccinini
We did have one work where it looked like the fibreglass was discolouring, but it turned out it was reacting to the foam it was packed against in storage. We repaired it and sent it back with better packing.
Patricia Piccinini
Thinking is a social process. I talk to everyone from children to anthropologists and philosophers. I try my ideas out on people and they talk back to you. That's how ideas get formed.
Patricia Piccinini
I struggle in life to find a sense of joy in things.
Patricia Piccinini
How does contemporary technology and culture changes our understanding of what it means to be human. What is our relationship with - and responsibilities towards - that which we create.
Patricia Piccinini
It's much easier to do something that's seen as being serious because people accept it right away, they don't question what you do, they just accept, because they think you must be right.
Patricia Piccinini
In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.
Patricia Piccinini
The idea that we can have a new life form, what does it say about the zoo's main purpose, which is to preserve life? What does it say when the artificial and real animal can have the same attraction to people?
Patricia Piccinini
I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.
Patricia Piccinini
I don't want the ideas to be limited by what I can physically do. The ideas come first.
Patricia Piccinini
Melbourne is a fantastic place to work, but it's not the centre of the world.
Patricia Piccinini
The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.
Patricia Piccinini
Artists make worlds for people to walk through.
Patricia Piccinini
I feel that there's hardly any irony in my work if there's anything, there'll be sincerity, which people sometimes find hard to deal with.
Patricia Piccinini
I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.
Patricia Piccinini
In one hundred years time people will look back and think 'these people were really worried about the environment, they were looking at things to do with global warming, and this is why they were making work about these issues'.
Patricia Piccinini
I don't set out to make something that is repulsive and that would scare people. I know that some people don't like what I make, and don't find it cute, but that's hard for me to understand.
Patricia Piccinini
Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.
Patricia Piccinini
My practice is focused on bodies and relationships the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.
Patricia Piccinini