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Of course, all my work is photographed and I also take quite a lot of photographs of work in production.
Patricia Piccinini
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Patricia Piccinini
Age: 59
Born: 1965
Born: January 1
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More quotes by Patricia Piccinini
I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.
Patricia Piccinini
Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.
Patricia Piccinini
How does contemporary technology and culture changes our understanding of what it means to be human. What is our relationship with - and responsibilities towards - that which we create.
Patricia Piccinini
I don't want the ideas to be limited by what I can physically do. The ideas come first.
Patricia Piccinini
The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.
Patricia Piccinini
I put a lot of time and thought into my work, which I see as a sort of respect for both the work and the audience, and I have always been very concerned that the materiality of the work reflects that.
Patricia Piccinini
Ideas rather than methods are central to they way I work, although drawing plays a central generative role in everything I do.
Patricia Piccinini
I am particularly interested in the way that the everyday realities of the world around us change these relations.
Patricia Piccinini
In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.
Patricia Piccinini
Skywhale is ambiguous. I think she is beautiful, but a lot of people think she is grotesque. You are drawn in and repelled at the same time, and it has to have that dynamic. My work has a certain element of abject mutation, uncertainty and darkness. Even she is dark - I mean she has ten breasts.
Patricia Piccinini
Melbourne is a fantastic place to work, but it's not the centre of the world.
Patricia Piccinini
Artists make worlds for people to walk through.
Patricia Piccinini
The idea that we can have a new life form, what does it say about the zoo's main purpose, which is to preserve life? What does it say when the artificial and real animal can have the same attraction to people?
Patricia Piccinini
We did have one work where it looked like the fibreglass was discolouring, but it turned out it was reacting to the foam it was packed against in storage. We repaired it and sent it back with better packing.
Patricia Piccinini
It's much easier to do something that's seen as being serious because people accept it right away, they don't question what you do, they just accept, because they think you must be right.
Patricia Piccinini
I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.
Patricia Piccinini
I tend to work towards specific exhibitions, so there will often be a big push towards the end when we're finishing off a bunch of stuff.
Patricia Piccinini
I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.
Patricia Piccinini
As we get older, our world gets smaller and we start to doubt and question. We are really suspicious of difference.
Patricia Piccinini
I certainly don't see the humour in my work as something that detracts from its seriousness. It's just a way of making difficult messages more palatable.
Patricia Piccinini