Quote

I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.

Patricia Piccinini

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Patricia Piccinini
Age: 60
Born: 1965
Born: January 1
Artist
Photographer
Sculptor
Things
Drawing
Usually
Fabricated
Works
Drawings
Working
Sculpture
Whether
Points
Next
Production
Different
Productions
Work
Several

More quotes by Patricia Piccinini

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I don't want the ideas to be limited by what I can physically do. The ideas come first.
Patricia Piccinini
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As we get older, our world gets smaller and we start to doubt and question. We are really suspicious of difference.
Patricia Piccinini
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In one hundred years time people will look back and think 'these people were really worried about the environment, they were looking at things to do with global warming, and this is why they were making work about these issues'.
Patricia Piccinini
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I put a lot of time and thought into my work, which I see as a sort of respect for both the work and the audience, and I have always been very concerned that the materiality of the work reflects that.
Patricia Piccinini
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The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.
Patricia Piccinini
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Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.
Patricia Piccinini
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Ideas rather than methods are central to they way I work, although drawing plays a central generative role in everything I do.
Patricia Piccinini
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Melbourne is a fantastic place to work, but it's not the centre of the world.
Patricia Piccinini
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My Father is a photographer, so it was always around. I was trained in painting, so I learnt a lot of skills about composition, light, colour, the formal attributes of images.
Patricia Piccinini
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Of course, all my work is photographed and I also take quite a lot of photographs of work in production.
Patricia Piccinini
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I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.
Patricia Piccinini
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It's interesting to work with what's important today, which is meaningful for our everyday lives.
Patricia Piccinini
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I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.
Patricia Piccinini
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It's much easier to do something that's seen as being serious because people accept it right away, they don't question what you do, they just accept, because they think you must be right.
Patricia Piccinini
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I am particularly interested in the way that the everyday realities of the world around us change these relations.
Patricia Piccinini
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In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.
Patricia Piccinini
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Artists make worlds for people to walk through.
Patricia Piccinini
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Skywhale is ambiguous. I think she is beautiful, but a lot of people think she is grotesque. You are drawn in and repelled at the same time, and it has to have that dynamic. My work has a certain element of abject mutation, uncertainty and darkness. Even she is dark - I mean she has ten breasts.
Patricia Piccinini
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I don't set out to make something that is repulsive and that would scare people. I know that some people don't like what I make, and don't find it cute, but that's hard for me to understand.
Patricia Piccinini
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I would say my work is anti-ironic.
Patricia Piccinini