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In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.

Patricia Piccinini

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Patricia Piccinini
Age: 59
Born: 1965
Born: January 1
Artist
Photographer
Sculptor
Back
Spend
Studio
Best
Decision
Studios
Come
Working
Performing
Work
Lasts
Leads
Years
Last
Tests
Time
Stills
Decisions
Also
Later
Still
Materials

More quotes by Patricia Piccinini

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Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.
Patricia Piccinini
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Skywhale is ambiguous. I think she is beautiful, but a lot of people think she is grotesque. You are drawn in and repelled at the same time, and it has to have that dynamic. My work has a certain element of abject mutation, uncertainty and darkness. Even she is dark - I mean she has ten breasts.
Patricia Piccinini
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The idea that we can have a new life form, what does it say about the zoo's main purpose, which is to preserve life? What does it say when the artificial and real animal can have the same attraction to people?
Patricia Piccinini
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I feel that there's hardly any irony in my work if there's anything, there'll be sincerity, which people sometimes find hard to deal with.
Patricia Piccinini
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I am particularly interested in the way that the everyday realities of the world around us change these relations.
Patricia Piccinini
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We did have one work where it looked like the fibreglass was discolouring, but it turned out it was reacting to the foam it was packed against in storage. We repaired it and sent it back with better packing.
Patricia Piccinini
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I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.
Patricia Piccinini
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In one hundred years time people will look back and think 'these people were really worried about the environment, they were looking at things to do with global warming, and this is why they were making work about these issues'.
Patricia Piccinini
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Ideas rather than methods are central to they way I work, although drawing plays a central generative role in everything I do.
Patricia Piccinini
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The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.
Patricia Piccinini
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I would say my work is anti-ironic.
Patricia Piccinini
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I have had sculptures cast in bronze, silver and aluminium. My drawings are all graphite or pigment ink and gouache on paper.
Patricia Piccinini
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Of course, all my work is photographed and I also take quite a lot of photographs of work in production.
Patricia Piccinini
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I tend to work towards specific exhibitions, so there will often be a big push towards the end when we're finishing off a bunch of stuff.
Patricia Piccinini
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I pretty much keep everything we have drawers full of samples and tests and every old catalogue and magazine.
Patricia Piccinini
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I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.
Patricia Piccinini
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I don't set out to make something that is repulsive and that would scare people. I know that some people don't like what I make, and don't find it cute, but that's hard for me to understand.
Patricia Piccinini
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Thinking is a social process. I talk to everyone from children to anthropologists and philosophers. I try my ideas out on people and they talk back to you. That's how ideas get formed.
Patricia Piccinini
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Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.
Patricia Piccinini
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I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.
Patricia Piccinini