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In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.
Patricia Piccinini
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Patricia Piccinini
Age: 59
Born: 1965
Born: January 1
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Photographer
Sculptor
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More quotes by Patricia Piccinini
I pretty much keep everything we have drawers full of samples and tests and every old catalogue and magazine.
Patricia Piccinini
Thinking is a social process. I talk to everyone from children to anthropologists and philosophers. I try my ideas out on people and they talk back to you. That's how ideas get formed.
Patricia Piccinini
I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.
Patricia Piccinini
Skywhale is ambiguous. I think she is beautiful, but a lot of people think she is grotesque. You are drawn in and repelled at the same time, and it has to have that dynamic. My work has a certain element of abject mutation, uncertainty and darkness. Even she is dark - I mean she has ten breasts.
Patricia Piccinini
Of course, all my work is photographed and I also take quite a lot of photographs of work in production.
Patricia Piccinini
The idea that we can have a new life form, what does it say about the zoo's main purpose, which is to preserve life? What does it say when the artificial and real animal can have the same attraction to people?
Patricia Piccinini
I feel that there's hardly any irony in my work if there's anything, there'll be sincerity, which people sometimes find hard to deal with.
Patricia Piccinini
I use whatever media I think will best express my ideas and therefore I don't have a lot invested in the idea of photography specifically. I am more interested in Art.
Patricia Piccinini
It's much easier to do something that's seen as being serious because people accept it right away, they don't question what you do, they just accept, because they think you must be right.
Patricia Piccinini
I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.
Patricia Piccinini
Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.
Patricia Piccinini
As we get older, our world gets smaller and we start to doubt and question. We are really suspicious of difference.
Patricia Piccinini
I struggle in life to find a sense of joy in things.
Patricia Piccinini
Melbourne is a fantastic place to work, but it's not the centre of the world.
Patricia Piccinini
I would say my work is anti-ironic.
Patricia Piccinini
My practice is focused on bodies and relationships the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.
Patricia Piccinini
I tend to work towards specific exhibitions, so there will often be a big push towards the end when we're finishing off a bunch of stuff.
Patricia Piccinini
I certainly don't see the humour in my work as something that detracts from its seriousness. It's just a way of making difficult messages more palatable.
Patricia Piccinini
I don't want the ideas to be limited by what I can physically do. The ideas come first.
Patricia Piccinini
The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.
Patricia Piccinini