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I put a lot of time and thought into my work, which I see as a sort of respect for both the work and the audience, and I have always been very concerned that the materiality of the work reflects that.
Patricia Piccinini
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Patricia Piccinini
Age: 59
Born: 1965
Born: January 1
Artist
Photographer
Sculptor
Always
Materiality
Time
Reflects
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More quotes by Patricia Piccinini
We did have one work where it looked like the fibreglass was discolouring, but it turned out it was reacting to the foam it was packed against in storage. We repaired it and sent it back with better packing.
Patricia Piccinini
It's interesting to work with what's important today, which is meaningful for our everyday lives.
Patricia Piccinini
Melbourne is a fantastic place to work, but it's not the centre of the world.
Patricia Piccinini
I struggle in life to find a sense of joy in things.
Patricia Piccinini
I have had sculptures cast in bronze, silver and aluminium. My drawings are all graphite or pigment ink and gouache on paper.
Patricia Piccinini
In one hundred years time people will look back and think 'these people were really worried about the environment, they were looking at things to do with global warming, and this is why they were making work about these issues'.
Patricia Piccinini
Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.
Patricia Piccinini
Skywhale is ambiguous. I think she is beautiful, but a lot of people think she is grotesque. You are drawn in and repelled at the same time, and it has to have that dynamic. My work has a certain element of abject mutation, uncertainty and darkness. Even she is dark - I mean she has ten breasts.
Patricia Piccinini
I tend to work towards specific exhibitions, so there will often be a big push towards the end when we're finishing off a bunch of stuff.
Patricia Piccinini
I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.
Patricia Piccinini
In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.
Patricia Piccinini
Thinking is a social process. I talk to everyone from children to anthropologists and philosophers. I try my ideas out on people and they talk back to you. That's how ideas get formed.
Patricia Piccinini
I feel that there's hardly any irony in my work if there's anything, there'll be sincerity, which people sometimes find hard to deal with.
Patricia Piccinini
My Father is a photographer, so it was always around. I was trained in painting, so I learnt a lot of skills about composition, light, colour, the formal attributes of images.
Patricia Piccinini
My practice is focused on bodies and relationships the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.
Patricia Piccinini
Ideas rather than methods are central to they way I work, although drawing plays a central generative role in everything I do.
Patricia Piccinini
The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.
Patricia Piccinini
I don't think 'Dark Heart' has to be malevolent. It conveys a sense of depth. There is a sense of questioning turmoil.
Patricia Piccinini
I use whatever media I think will best express my ideas and therefore I don't have a lot invested in the idea of photography specifically. I am more interested in Art.
Patricia Piccinini
Artists make worlds for people to walk through.
Patricia Piccinini
