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In one hundred years time people will look back and think 'these people were really worried about the environment, they were looking at things to do with global warming, and this is why they were making work about these issues'.
Patricia Piccinini
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Patricia Piccinini
Age: 59
Born: 1965
Born: January 1
Artist
Photographer
Sculptor
Things
Looking
Time
Making
Think
Back
Warming
Thinking
Look
Worried
People
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Global
Work
Hundred
Years
Environment
Really
Issues
More quotes by Patricia Piccinini
I struggle in life to find a sense of joy in things.
Patricia Piccinini
I don't want the ideas to be limited by what I can physically do. The ideas come first.
Patricia Piccinini
I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.
Patricia Piccinini
I feel that there's hardly any irony in my work if there's anything, there'll be sincerity, which people sometimes find hard to deal with.
Patricia Piccinini
My Father is a photographer, so it was always around. I was trained in painting, so I learnt a lot of skills about composition, light, colour, the formal attributes of images.
Patricia Piccinini
I tend to work towards specific exhibitions, so there will often be a big push towards the end when we're finishing off a bunch of stuff.
Patricia Piccinini
I don't set out to make something that is repulsive and that would scare people. I know that some people don't like what I make, and don't find it cute, but that's hard for me to understand.
Patricia Piccinini
I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.
Patricia Piccinini
The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.
Patricia Piccinini
I have had sculptures cast in bronze, silver and aluminium. My drawings are all graphite or pigment ink and gouache on paper.
Patricia Piccinini
I pretty much keep everything we have drawers full of samples and tests and every old catalogue and magazine.
Patricia Piccinini
Of course, all my work is photographed and I also take quite a lot of photographs of work in production.
Patricia Piccinini
Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.
Patricia Piccinini
We did have one work where it looked like the fibreglass was discolouring, but it turned out it was reacting to the foam it was packed against in storage. We repaired it and sent it back with better packing.
Patricia Piccinini
I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.
Patricia Piccinini
I would say my work is anti-ironic.
Patricia Piccinini
It's much easier to do something that's seen as being serious because people accept it right away, they don't question what you do, they just accept, because they think you must be right.
Patricia Piccinini
How does contemporary technology and culture changes our understanding of what it means to be human. What is our relationship with - and responsibilities towards - that which we create.
Patricia Piccinini
Skywhale is ambiguous. I think she is beautiful, but a lot of people think she is grotesque. You are drawn in and repelled at the same time, and it has to have that dynamic. My work has a certain element of abject mutation, uncertainty and darkness. Even she is dark - I mean she has ten breasts.
Patricia Piccinini
I am particularly interested in the way that the everyday realities of the world around us change these relations.
Patricia Piccinini
