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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Done
Much
Kind
Collaborations
Years
Reluctant
Collaboration
Partner
Partners
Actually

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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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The more I can learn about music, the more I learn about other things.
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I saw A Hard Day's Night 12 or 13 times.
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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The main thing in my life...is that I really need to go home and practice.
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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My first relationship to any kind of musical situation is as a listener.
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What I look for in musicians is a sense of infinity
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I think I have a basic sound aesthetic that is in most of what I do
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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I hate the way chorus boxes sound
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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I was able to work with the best musicians in Kansas City starting when I was really young
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