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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
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Collaborations
Years
Reluctant
Collaboration
Partner
Partners
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My first relationship to any kind of musical situation is as a listener.
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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I realized that equipment really had little to do with why I sound like the way I sound
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I was able to work with the best musicians in Kansas City starting when I was really young
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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Most guys at Berklee are going to wind up truck drivers.
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I saw A Hard Day's Night 12 or 13 times.
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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Im always trying to find connections between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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I hate the way chorus boxes sound
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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The first thing I learned was the theme from Peter Gunn.
Pat Metheny