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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Years
Reluctant
Collaboration
Partner
Partners
Actually
Done
Much
Kind
Collaborations

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What I look for in musicians is a sense of infinity
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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I think I have a basic sound aesthetic that is in most of what I do
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My first relationship to any kind of musical situation is as a listener.
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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I realized that equipment really had little to do with why I sound like the way I sound
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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I saw A Hard Day's Night 12 or 13 times.
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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Jazz is an idea that is more powerful than the details of its history.
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