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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Much
Kind
Collaborations
Years
Reluctant
Collaboration
Partner
Partners
Actually
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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Somehow trumpet is the reference point for me it was actually my first instrument.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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I hate the way chorus boxes sound
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
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What I look for in musicians is a sense of infinity
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My first relationship to any kind of musical situation is as a listener.
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I think I have a basic sound aesthetic that is in most of what I do
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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I was able to work with the best musicians in Kansas City starting when I was really young
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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I saw A Hard Day's Night 12 or 13 times.
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