Quote

Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Kind
Levels
Good
Player
Intermediate
Things
Playing
Players
Dangerous
Period
Pretty
Tend
Start
Periods
Rather
Level
Play
Already

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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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I was able to work with the best musicians in Kansas City starting when I was really young
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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The main thing in my life...is that I really need to go home and practice.
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I realized that equipment really had little to do with why I sound like the way I sound
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I think I have a basic sound aesthetic that is in most of what I do
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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The first thing I learned was the theme from Peter Gunn.
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The more I can learn about music, the more I learn about other things.
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Somehow trumpet is the reference point for me it was actually my first instrument.
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What I look for in musicians is a sense of infinity
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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My first relationship to any kind of musical situation is as a listener.
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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I saw A Hard Day's Night 12 or 13 times.
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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Jazz is an idea that is more powerful than the details of its history.
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