Quote

Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Kind
Levels
Good
Player
Intermediate
Things
Playing
Players
Dangerous
Period
Pretty
Tend
Start
Periods
Rather
Level
Play
Already

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Jazz is an idea that is more powerful than the details of its history.
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.
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I was able to work with the best musicians in Kansas City starting when I was really young
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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Somehow trumpet is the reference point for me it was actually my first instrument.
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Most guys at Berklee are going to wind up truck drivers.
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The first thing I learned was the theme from Peter Gunn.
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My first relationship to any kind of musical situation is as a listener.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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I saw A Hard Day's Night 12 or 13 times.
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The main thing in my life...is that I really need to go home and practice.
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I think I have a basic sound aesthetic that is in most of what I do
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I realized that equipment really had little to do with why I sound like the way I sound
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I hate the way chorus boxes sound
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