Quote

Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Pretty
Tend
Start
Periods
Rather
Level
Play
Already
Kind
Levels
Good
Player
Intermediate
Things
Playing
Players
Dangerous
Period

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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.
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Jazz is an idea that is more powerful than the details of its history.
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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I was able to work with the best musicians in Kansas City starting when I was really young
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
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I saw A Hard Day's Night 12 or 13 times.
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My first relationship to any kind of musical situation is as a listener.
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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Somehow trumpet is the reference point for me it was actually my first instrument.
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What I look for in musicians is a sense of infinity
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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I realized that equipment really had little to do with why I sound like the way I sound
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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I think I have a basic sound aesthetic that is in most of what I do
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