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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Good
Player
Intermediate
Things
Playing
Players
Dangerous
Period
Pretty
Tend
Start
Periods
Rather
Level
Play
Already
Kind
Levels

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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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The more I can learn about music, the more I learn about other things.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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Jazz is an idea that is more powerful than the details of its history.
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
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Im always trying to find connections between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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I hate the way chorus boxes sound
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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The main thing in my life...is that I really need to go home and practice.
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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Most guys at Berklee are going to wind up truck drivers.
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What I look for in musicians is a sense of infinity
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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My first relationship to any kind of musical situation is as a listener.
Pat Metheny