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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
Pat Metheny
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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
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Thinking
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Highest
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Unforgiving
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Disdain
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Nostalgia
Actually
Demands
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Jazz
More quotes by Pat Metheny
Most guys at Berklee are going to wind up truck drivers.
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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I think I have a basic sound aesthetic that is in most of what I do
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The more I can learn about music, the more I learn about other things.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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I saw A Hard Day's Night 12 or 13 times.
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I realized that equipment really had little to do with why I sound like the way I sound
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
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What I look for in musicians is a sense of infinity
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Jazz is an idea that is more powerful than the details of its history.
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Somehow trumpet is the reference point for me it was actually my first instrument.
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
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I hate the way chorus boxes sound
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My first relationship to any kind of musical situation is as a listener.
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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