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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Thinking
Creativity
Highest
Level
Unforgiving
Levels
Disdain
Quite
Nostalgia
Actually
Demands
Change
Jazz
Think
Demand

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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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I realized that equipment really had little to do with why I sound like the way I sound
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My first relationship to any kind of musical situation is as a listener.
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I was able to work with the best musicians in Kansas City starting when I was really young
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
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Somehow trumpet is the reference point for me it was actually my first instrument.
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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The more I can learn about music, the more I learn about other things.
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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The main thing in my life...is that I really need to go home and practice.
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The first thing I learned was the theme from Peter Gunn.
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I hate the way chorus boxes sound
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.
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Most guys at Berklee are going to wind up truck drivers.
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