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Somehow trumpet is the reference point for me it was actually my first instrument.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Reference
Instrument
Somehow
Instruments
Point
Actually
Firsts
Trumpet
First
Trumpets

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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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I think I have a basic sound aesthetic that is in most of what I do
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
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Jazz is an idea that is more powerful than the details of its history.
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I saw A Hard Day's Night 12 or 13 times.
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The first thing I learned was the theme from Peter Gunn.
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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.
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What I look for in musicians is a sense of infinity
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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Most guys at Berklee are going to wind up truck drivers.
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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