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Somehow trumpet is the reference point for me it was actually my first instrument.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Reference
Instrument
Somehow
Instruments
Point
Actually
Trumpet
Firsts
First
Trumpets

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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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The first thing I learned was the theme from Peter Gunn.
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I was able to work with the best musicians in Kansas City starting when I was really young
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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I saw A Hard Day's Night 12 or 13 times.
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I think I have a basic sound aesthetic that is in most of what I do
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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I hate the way chorus boxes sound
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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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My first relationship to any kind of musical situation is as a listener.
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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I realized that equipment really had little to do with why I sound like the way I sound
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