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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
Pat Metheny
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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Musician
Projects
Band
Talented
Groups
Unlike
Else
Musicians
Anything
Project
Many
Unity
Life
Changing
More quotes by Pat Metheny
I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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The first thing I learned was the theme from Peter Gunn.
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I hate the way chorus boxes sound
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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What I look for in musicians is a sense of infinity
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
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The more I can learn about music, the more I learn about other things.
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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Somehow trumpet is the reference point for me it was actually my first instrument.
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Jazz is an idea that is more powerful than the details of its history.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
Pat Metheny