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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Life
Changing
Musician
Projects
Band
Talented
Groups
Unlike
Else
Musicians
Anything
Project
Many
Unity

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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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Im always trying to find connections between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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Somehow trumpet is the reference point for me it was actually my first instrument.
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My first relationship to any kind of musical situation is as a listener.
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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I hate the way chorus boxes sound
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The first thing I learned was the theme from Peter Gunn.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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I realized that equipment really had little to do with why I sound like the way I sound
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The main thing in my life...is that I really need to go home and practice.
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I was able to work with the best musicians in Kansas City starting when I was really young
Pat Metheny