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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Musician
Projects
Band
Talented
Groups
Unlike
Else
Musicians
Anything
Project
Many
Unity
Life
Changing

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I was able to work with the best musicians in Kansas City starting when I was really young
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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The more I can learn about music, the more I learn about other things.
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What I look for in musicians is a sense of infinity
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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I hate the way chorus boxes sound
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I think I have a basic sound aesthetic that is in most of what I do
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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The first thing I learned was the theme from Peter Gunn.
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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The main thing in my life...is that I really need to go home and practice.
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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