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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Musician
Projects
Band
Talented
Groups
Unlike
Else
Musicians
Anything
Project
Many
Unity
Life
Changing

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I was able to work with the best musicians in Kansas City starting when I was really young
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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I hate the way chorus boxes sound
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
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The more I can learn about music, the more I learn about other things.
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What I look for in musicians is a sense of infinity
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Jazz is an idea that is more powerful than the details of its history.
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I saw A Hard Day's Night 12 or 13 times.
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My first relationship to any kind of musical situation is as a listener.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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I realized that equipment really had little to do with why I sound like the way I sound
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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