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I was able to work with the best musicians in Kansas City starting when I was really young

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Work
Musicians
Really
Starting
Musician
City
Cities
Young
Best
Able
Kansas

More quotes by Pat Metheny

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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
Pat Metheny
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Somehow trumpet is the reference point for me it was actually my first instrument.
Pat Metheny
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The more I can learn about music, the more I learn about other things.
Pat Metheny
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
Pat Metheny
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
Pat Metheny
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
Pat Metheny
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
Pat Metheny
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
Pat Metheny
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
Pat Metheny
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The main thing in my life...is that I really need to go home and practice.
Pat Metheny
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Im always trying to find connections between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
Pat Metheny
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I hate the way chorus boxes sound
Pat Metheny
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
Pat Metheny
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
Pat Metheny
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
Pat Metheny
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
Pat Metheny
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I think I have a basic sound aesthetic that is in most of what I do
Pat Metheny
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
Pat Metheny
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
Pat Metheny
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I realized that equipment really had little to do with why I sound like the way I sound
Pat Metheny