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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Music
Fringe
Wanted
Successfully
Play
Managed
Way
Mainstream
Would
Exactly
Think
Function
Thinking
Pretty
Fringes
World
Able
Qualify

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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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Somehow trumpet is the reference point for me it was actually my first instrument.
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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Most guys at Berklee are going to wind up truck drivers.
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What I look for in musicians is a sense of infinity
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Jazz is an idea that is more powerful than the details of its history.
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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Im always trying to find connections between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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The more I can learn about music, the more I learn about other things.
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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I hate the way chorus boxes sound
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My first relationship to any kind of musical situation is as a listener.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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I was able to work with the best musicians in Kansas City starting when I was really young
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I realized that equipment really had little to do with why I sound like the way I sound
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
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