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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Wanted
Successfully
Play
Managed
Way
Mainstream
Would
Exactly
Think
Function
Thinking
Pretty
Fringes
World
Able
Qualify
Music
Fringe

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Somehow trumpet is the reference point for me it was actually my first instrument.
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I was able to work with the best musicians in Kansas City starting when I was really young
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The main thing in my life...is that I really need to go home and practice.
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Most guys at Berklee are going to wind up truck drivers.
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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Jazz is an idea that is more powerful than the details of its history.
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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The more I can learn about music, the more I learn about other things.
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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I think I have a basic sound aesthetic that is in most of what I do
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The first thing I learned was the theme from Peter Gunn.
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My first relationship to any kind of musical situation is as a listener.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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I realized that equipment really had little to do with why I sound like the way I sound
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I saw A Hard Day's Night 12 or 13 times.
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I hate the way chorus boxes sound
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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