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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Made
Record
Note
Records
Album
Taught
Albums
Greatest
Absolutes
Half
Absolute
Also
Notes
Ever
Jazz
Play
Guitar
Smokin

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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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I was able to work with the best musicians in Kansas City starting when I was really young
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My first relationship to any kind of musical situation is as a listener.
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I think I have a basic sound aesthetic that is in most of what I do
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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What I look for in musicians is a sense of infinity
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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I hate the way chorus boxes sound
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The main thing in my life...is that I really need to go home and practice.
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Most guys at Berklee are going to wind up truck drivers.
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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Somehow trumpet is the reference point for me it was actually my first instrument.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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The first thing I learned was the theme from Peter Gunn.
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I realized that equipment really had little to do with why I sound like the way I sound
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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