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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Records
Album
Taught
Albums
Greatest
Absolutes
Half
Absolute
Also
Notes
Ever
Jazz
Play
Guitar
Smokin
Made
Record
Note

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The more I can learn about music, the more I learn about other things.
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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Most guys at Berklee are going to wind up truck drivers.
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What I look for in musicians is a sense of infinity
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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I hate the way chorus boxes sound
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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I saw A Hard Day's Night 12 or 13 times.
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I realized that equipment really had little to do with why I sound like the way I sound
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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