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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
Pat Metheny
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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Taught
Albums
Greatest
Absolutes
Half
Absolute
Also
Notes
Ever
Jazz
Play
Guitar
Smokin
Made
Record
Note
Records
Album
More quotes by Pat Metheny
The main thing in my life...is that I really need to go home and practice.
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I was able to work with the best musicians in Kansas City starting when I was really young
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I saw A Hard Day's Night 12 or 13 times.
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What I look for in musicians is a sense of infinity
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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My first relationship to any kind of musical situation is as a listener.
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I realized that equipment really had little to do with why I sound like the way I sound
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The first thing I learned was the theme from Peter Gunn.
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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I hate the way chorus boxes sound
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I think I have a basic sound aesthetic that is in most of what I do
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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Im always trying to find connections between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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Most guys at Berklee are going to wind up truck drivers.
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
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