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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Records
Album
Taught
Albums
Greatest
Absolutes
Half
Absolute
Also
Notes
Ever
Jazz
Play
Guitar
Smokin
Made
Record
Note

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I was able to work with the best musicians in Kansas City starting when I was really young
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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The first thing I learned was the theme from Peter Gunn.
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I think I have a basic sound aesthetic that is in most of what I do
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The more I can learn about music, the more I learn about other things.
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I saw A Hard Day's Night 12 or 13 times.
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The Unity Band project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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What I look for in musicians is a sense of infinity
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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I realized that equipment really had little to do with why I sound like the way I sound
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My first relationship to any kind of musical situation is as a listener.
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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