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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
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Smokin
Made
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Note
Records
Album
Taught
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Greatest
Absolutes
Half
Absolute
Also
Notes
Ever
Jazz

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I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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I hate the way chorus boxes sound
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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Somehow trumpet is the reference point for me it was actually my first instrument.
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The main thing in my life...is that I really need to go home and practice.
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What I look for in musicians is a sense of infinity
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.
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I realized that equipment really had little to do with why I sound like the way I sound
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My first relationship to any kind of musical situation is as a listener.
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I was able to work with the best musicians in Kansas City starting when I was really young
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Jazz is an idea that is more powerful than the details of its history.
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Most guys at Berklee are going to wind up truck drivers.
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