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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Much
Fundamentalist
Discussion
Jazz
Principles
Worry
Almost
Music

More quotes by Pat Metheny

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What I look for in musicians is a sense of infinity
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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.
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I realized that equipment really had little to do with why I sound like the way I sound
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I was able to work with the best musicians in Kansas City starting when I was really young
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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The more I can learn about music, the more I learn about other things.
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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Im always trying to find connections between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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Somehow trumpet is the reference point for me it was actually my first instrument.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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The main thing in my life...is that I really need to go home and practice.
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I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
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I saw A Hard Day's Night 12 or 13 times.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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My first relationship to any kind of musical situation is as a listener.
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More and more as time has gone on, I realize that playing is really more about listening than it is about playing.
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
Pat Metheny