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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.
Pat Metheny
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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Much
Fundamentalist
Discussion
Jazz
Principles
Worry
Almost
Music
More quotes by Pat Metheny
The first thing I learned was the theme from Peter Gunn.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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I was able to work with the best musicians in Kansas City starting when I was really young
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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The more I can learn about music, the more I learn about other things.
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
Pat Metheny
The main thing in my life...is that I really need to go home and practice.
Pat Metheny
I saw A Hard Day's Night 12 or 13 times.
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
Pat Metheny
Jazz demands that you bring to it things that are valuable to you, that are personal to you.
Pat Metheny
Im always trying to find connections between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
Pat Metheny
Somehow trumpet is the reference point for me it was actually my first instrument.
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As much as I have done collaborations over the years, I am actually kind of a reluctant partner.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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I realized that equipment really had little to do with why I sound like the way I sound
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I hate the way chorus boxes sound
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
Pat Metheny